Von Lintel Gallery, Los Angeles

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Michael Waugh, Citizens United, 2020

Ink on Mylar
45 x 69 inches (114.3 x 175.3 cm)
Unique - price includes frame with plexi

$26800 (framed with plexi)

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Von Lintel Gallery, Los Angeles

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Michael Waugh, A Fable for Tomorrow, scene 5.1 (Silent Spring, part1), 2020

Acrylic with pigment overprinting on Mylar
42 x 81 inches (106.7 x 205.7 cm)
Unique - unframed

$20500 (unframed)

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Von Lintel Gallery, Los Angeles

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Michael Waugh, A Fable for Tomorrow, scene 2.1 (Silent Spring, part1), 2020

Acrylic with pigment overprinting on Mylar
105 x 166 inches (266.7 x 421.6 cm) across 4 panels of 41.5 inches each
Unique - unframed

$85000 (unframed)

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Von Lintel Gallery, Los Angeles

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Michael Waugh, A Fable for Tomorrow, dream sequence 1 (Silent Spring, part1)), 2020

Acrylic with pigment overprinting on Mylar bonded to panel
36 x 57 inches (91.4 x 144.8 cm)
Unique

$17500 (bonded to panel)

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Von Lintel Gallery, Los Angeles

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Michael Waugh, A Fable for Tomorrow, scene 3.1 (Silent Spring, part1), 2020

Acrylic with pigment overprinting on Mylar
20 x 30 inches (50.8 x 76.2 cm)
Unique - unframed

$4800 (unframed)

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Von Lintel Gallery, Los Angeles

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Michael Waugh, A Fable for Tomorrow, scene 4.1 (Silent Spring, part1), 2020

Acrylic with pigment overprinting on Mylar
20 x 30 inches (50.8 x 76.2 cm)
Unique - unframed

$4800 (unframed)

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Von Lintel Gallery, Los Angeles

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Michael Waugh, Redacted (The Mueller Report, volume I & II), 2019

Ink on Mylar
81 x 76 inches (206 x 193 cm); 2 panels measuring 45 x 76" and 36 x 76" each]
Unique - price includes frame with plexi

$65000 (framed with plexi)

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Von Lintel Gallery, Los Angeles

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Michael Waugh, McConnell v. Federal Election Commission, 2016

Ink on Mylar
25 x 36 inches (63.5 x 91.4 cm)
Unique - price includes frame with plexi

$8600 (framed with plexi)

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Von Lintel Gallery, Los Angeles

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Michael Waugh, Austin v. Michigan Chamber of Commerce, 2016

Ink on Mylar
25 x 36 inches (63.5 x 91.4 cm)
Unique

$8600 (framed)

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Von Lintel Gallery is pleased to announce Flow My Tears, the Mueller Report Said, a show of new works by artist Michael Waugh that sets the scene for our current crisis. The show’s title is based on a Philip K. Dick novel in which the right-wing has won a second U.S. civil war. The work in the show presents a fable of dystopian arrogance – Arrogance that says ideology is more important than facts, that humans can control the natural world, that money should decide politics. 

 

The show is anchored by a series of four works in which animals are plotting against human labor. After they destroy a bridge, touches of green return to the poisoned landscape. It’s a scenario that has become familiar to us all; when Covid-19 forced us to pause our lives, the smog cleared from over our cities.

 

For over fifteen years, Waugh has been constructing such politically infused scenes – made all the more biting because he composes them out of text. Using the ancient calligraphic technique known as micrography, the artist laboriously copies hundreds of pages of historically significant documents, corralling that text into delicate representational forms. The destroyed bridge, for example, is composed out of words from Rachel Carson’s 1962 book Silent Spring, which ushered in the environmental movement.

 

Other works in the show are even more closely tied to our current political moment. For Citizens United, Waugh copied the text of the Supreme Court’s decision of the same name – the decision that granted extra political power to monied interests, most of which aligned with Donald Trump in 2016. The image Waugh composes out of these words is of a pack of hunting dogs standing around confusedly – while a seagull and a canary seem more aware that something’s not right.

 

For the largest work in the show, entitled Redacted, Waugh copied over 350 pages of The Mueller Report. The report laid out definitive evidence of corruption and criminal activity within the 2016 Trump election campaign. Through Waugh’s hands, those words coalesce into an image of a nest of baby birds, with mouths expectantly open; But a swarm of wasps hovers overhead. As startling as this image may be, the real emotional weight of Waugh’s work is held in the intricacy of his handwriting, in the months and months of isolated labor it viscerally represents. It’s another aspect of Waugh’s work that we can all feel more deeply since the lockdown.

 

Michael Waugh was born in Cambridge, MA. He earned his graduate degree in painting from New York University in 2000; but he also has degrees in writing from Texas State University and history from the University of Texas. He has exhibited internationally for the last twenty-one years. Public collections include, the Crystal Bridges Museum of American Art, Bentonville, AR, the McEvoy Foundation for the Arts, San Francisco, CA, and the 21C Museum Hotel Collection.

Von Lintel Gallery

1206 Maple Ave #212
Los Angeles, CA 90015
gallery@vonlintel.com

Gallery Hours:

Wednesday - Saturday
from 12am until 6pm



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