Von Lintel Gallery | Los Angeles

Edward Burtynsky

 

1955 Born in St. Catharines, Ontario

Lives and works in Toronto, Ontario, Canada

Edward Burtynsky Education

1982 Bachelor of Applied Arts - Photographic Arts (Media Studies Program), Ryerson University, Toronto, Ontario

1976 Graphic Arts, Niagara College, Welland, Ontario

1985 to present Photographic artist, entrepreneur, educator and lecturer

Established Toronto Image Works: a darkroom rental facility, custom lab, digital imaging centre and new media computer training centre.

Edward Burtynsky Selected Solo Exhibitions

2017

Salt Pans, Sundaram Tagore Gallery, Singapore

Industrial Abstract, Von Lintel Gallery, Los Angeles, CA

Edward Burtynsky: Water, Kunst Haus Wien, Vienna, Austria

2016

Salt Pan/Essential Elements, Howard Greenberg Gallery, New York, NY

Salt Pan/Essential Elements, Bryce Wolkowitz Gallery, New York, NY

Essential Elements, Sundram Tagore Gallery, Hong Kong

Salt Pans/Essential Elements, Nicholas Metivier Gallery, Toronto, Canada

Agua Shock, Sala Municipal de Exposiciones, San Benito, Valladolid, Spain

Edward Burtynsky: Water, Phoenix Art Museum, Phoenix, AZ

Edward Burtynsky: Water, Chrysler Museum of Art, Norfolk VA

Burtysnky: Photographs from Water, Borusan Contemporary, Istanbul, Turkey

2015

Burtynsky: The Industrial Sublime, Mulvane Museum of Art, Washburn University, Topeka, Kansas, USA

Act/Act: Edward Burtynsky, David Brower Center, Berkeley, CA

Edward Burtynsky: Acqua Shock, Expo Milano, Palazzo Ragione, Milan, Italy

Edward Burtynsky: Water, Grand Rapids Art Museum, Grand Rapids, MI

The Photographs of Edward Burtynsky, Domaine de Chaumont-sur-Loire, Chaumont-sur-Loire, France

Edward Burtynsky: Water and More, Innsbruck, Austria

The Industrial Sublime: Edward Burtynsky, Fruitlands Museum, Devens, MA

Edward Burtynsky: Nature Transformed, Von Lintel Gallery, Los Angeles, CA

2014

Edward Burtynsky: Water, Grinnell College, Faulconer Gallery, Grinnell, Iowa

Edward Burtynsky: Water, Scheublein + Bak, Zurich, Switzerland

Water! Neue Fotografien von Edward Burtynsky, Altana Kultur Stiftung Museum Sinclair-Haus, Bad Homburg, Germany

Edward Burtynsky: Water, Sundaram Tagore Gallery, Hong Kong

A Terrible Beauty: Edward Burtynsky, Vancouver Art Gallery, Canada

Edward Burtynsky: Water, Galerie Springer, Berlin, Germany, (in collaboration with Galerie Stefan Röpke, Köln)

Edward Burtynsky: Water, Sundaram Tagore Gallery, Singapore

Edward Burtynsky: Water, Paul Kuhn Gallery, Calgary, Alberta, Canada

Edward Burtynsky, Canada House Gallery, London, UK

2013

Burtynsky: Water, New Orleans Museum of Art (NOMA) / Contemporary Art Center (CAC), New Orleans

Burtynsky: Water, Rena Bransten Gallery, San Francisco, USA

Burtynsky: Water, Flowers, Cork Street, London, UK

Burtynsky: Water, Arthur Roger Gallery, New Orleans, USA

Burtynsky: Water, Bryce Wolkowitz Gallery, New York, NY

Burtynsky: Water, Howard Greenberg Gallery, New York, NY

Burtynsky: Water, Nicholas Metivier Gallery, Toronto, Canada

Edward Burtynsky: The Landscape that we Change, McMichael Canadian Art Collection, Kleinberg, Ontario, Canada

Nature Transformed: Edward Burtynsky’s Vermont Quarry Photographs in Context , Middlebury College Museum of Art, Middlebury, Vermont

Burtynsky: Oil , Canadian Museum of Nature, Ottawa, Ontario, Canada

Material Matters, UNB Art Centre, University of New Brunswick, Fredericton, New Brunswick, Canada

2012

Edward Burtynsky, Hall Art Foundation, Reading, Vermont

Burtynsky: Oil , Taubman Museum, Roanoke, Virginia

Watermarks, Sundaram Tagore Galleries, Hong Kong

Burtynsky: Oil, c/o Berlin, Germany

Nature Transformed: Edward Burtynsky’s Vermont Quarry Photographs in Context, Hood Museum, Dartmouth College, Hanover, New Hampshire

Burtynsky: Oil , The Photographer’s Gallery, London, UK

Burtynsky: Oil , Nevada Museum of Art, Reno, Nevada

Edward Burtynsky: Two Homesteads, Maclaren Art Centre, Barrie, Ontario, Canada

Edward Burtynsky: The Industrial Sublime, Frist Center for the Visual Arts, Nashville, Tennessee, USA

Edward Burtynsky: The Industrial Sublime, University of Wyoming Art Museum, Laramie, Wyoming, USA

Monegros - Dryland Farming, Flowers Cork Street, London, UK

Edward Burtynsky: Shipbreaking, South Seaport Museum, New York, NY, USA

Edward Burtynsky: Encounters, Glenbow Museum, Calgary, Alberta, Canada

2011

Monegros - Dryland Farming, Bryce Wolkowitz Gallery, New York, NY

Edward Burtynsky, Howard Greenberg Gallery, New York, NY

Burtynsky: Oil, McCord Museum, Montréal, Québec, Canada

Edward Burtynsky: L’home I La Terra, Llums I Ombres, Centre d’Art Tecla Sala, L’Hospitalet de Llobregat, Barcelona, Spain

Edward Burtynsky: The Industrial Sublime, (touring exhibition) Shaw Gallery, Weber State University, Ogden, Utah

Edward Burtynsky: El hombre y la tierra. Luces y sombras, Sala Municipal de Exposiciones de San Benito, Valladolid, Spain

Burtynsky: Oil, Ryerson University in association with the Institute for Contemporary Culture, Royal Ontario Museum, Toronto, Ontario, Canada

Burtynsky: Oil, Fotografiska Museet, Stockholm, Sweden

Burtynsky: Oil, Altana Kulturstiftung, Bad Homburg, Germany

Edward Burtynsky: L’Uomo e la Terra. Luci e Ombre, Centro Culturale di Milano, Milan, Italy

Gulf Oil Spill and Pentimento, Flowers Cork Street, London, UK

2010

Edward Burtynsky: Making and Breaking, Esplanade Arts and Heritage Centre, Medicine Hat, Alberta, Canada

Gulf Oil Spill, Art 45, Montreal, Québec, Canada

Burtynsky: Oil, Art Gallery of Alberta, Edmonton, Canada

Edward Burtynsky, Sundaram Tagore Gallery, Hong Kong, China

Gulf Oil Spill and Pentimento, Nicholas Metivier Gallery, Toronto, Canada

Gulf Oil Spill and Pentimento, Hasted Kraeutler Gallery, New York, NY, USA

Oil, Galeria Arnés y Röpke, Madrid

Australian Minescapes, Brisbane Powerhouse, Brisbane, Australia

Burtynsky: Oil, The Rooms - Provincial Art Gallery, St. John’s, Newfoundland, Canada

Australian Minescapes, Sovereign Hill Gold Museum, Ballarat, Australia

Edward Burtynsky: Min(d)ing the Landscape, Berman Museum of Art at Ursinus College, Collegeville, Pennsylvania

2009

Burtynsky: Oil, Torch Gallery, Amsterdam, The Netherlands

Australian Minescapes, Western Australian Museum, Geralton, Australia

Burtynsky: Oil, Huis Marseille, Amsterdam, The Netherlands

Burtynsky: Oil, Adamson Gallery, Washington, DC, USA

Burtynsky: Oil, Corcoran Gallery of Art, Washington, DC (exhibit tours through 2012)

Burtynsky: Oil, Nicholas Metivier Gallery, Toronto, Ontario, Canada

Burtynsky: Oil, Hasted Hunt Kraeutler Gallery, New York, NY, USA

Australian Minescapes, Australian Centre for Photography, Melbourne, Australia

Manufactured Landscapes, Museum of Science, Boston, Massachusetts, USA

Edward Burtynsky: Quarries, Sidney Cooper Gallery, Christ Church University, Canterbury, UK

Edward Burtynsky: A Survey, Whyte Museum of the Canadian Rockies, Banff, Alberta, Canada

Australia - Edward Burtynsky, Art45, Montreal, Canada

Burtynsky Australian Mines, Gallerie Stefan Röpke, Köln, Germany

Edward Burtynsky: Uneasy Beauty, Surrey Art Gallery, Surrey, British Columbia, Canada

Burtynsky Australian Mines, Flowers East Gallery, London, UK

2008

Material World, Queen’s University, Kingston, Ontario

New Quarries, Galeria Toni Tapies, Barcelona, Spain

Iberia Quarries, Galería Arnés y Röpke, Madrid, Spain

Australian Minescapes, Western Australian Maritime Museum, Fremantle, Australia

In Pursuit of Progress, Winnipeg Art Gallery, Winnipeg, Canada

New Quarries, Flowers East Gallery, London, UK

2007

Selected Works, Galerie Stephan Röpke, Berlin

New Quarries, Robert Koch Gallery, San Francisco, California, USA

New Quarries, Nicholas Metivier Gallery, Toronto, Ontario, Canada

New Quarries, Charles Cowles Gallery, New York, NY, USA

Manufactured Landscapes, Gemeentemuseum Helmond, Helmond, The Netherlands

China Works, Koldo Mitxelena Kulturunea, San Sebastián, Spain

Burtynsky Photographs, (major survey exhibition) Gemeentemuseum Helmond, The Netherlands

Edward Burtynsky: Photographs, Canadian Cultural Institute, Paris, France

Edward Burtynsky: The China Series, (touring exhibition) curated by David Brown, Southeastern Center for Contemporary Art
— Southeastern Center for Contemporary Art (SECCA), Winston-Salem, North Carolina
— Boca Raton Museum of Art, Boca Raton, Florida, USA
— Presentation House Gallery, North Vancouver, British Columbia, Canada
— Tufts University Art Gallery, Aidekman Arts Center, Medford, Massachusetts
— Samek Art Gallery, Bucknell University, Lewisburg, Pennsylvania
— The Art Museum, University of Oregon, Eugene, Oregon, USA
— Bowdoin College Museum of Art, Brunswick, Maine, USA

2006

Edward Burtynsky: Eight China Works, The Barbara Krakow Gallery, Boston, Massachusetts, USA

Edward Burtynsky: China, FotoFo - Month of Photography, Palace of Art, Bratislava, Slovakia

Fabryka Krajobrazu: Manufactured Landscapes, Yours Gallery, 33 Krakowskie Przedmiescie St. 00-071 Warsaw, Poland

Edward Burtynsky: Quarries, Paul Kuhn Gallery, Calgary, Alberta, Canada

Edward Burtynsky: The Edmonton Art Gallery Gift, Edmonton Art Gallery, Edmonton, Alberta, Canada

New China Works, ART45, Montreal, Québec, Canada

Edward Burtynsky: China’s Industrial Revolution, Paul Kuhn Gallery, Calgary, Alberta, Canada

PhotoEspana, Centro Cultural de la Villa, Madrid, Spain

Galeria Toni Tàpies, Barcelona, Spain

Shipyards, Building and Breaking, Galerie Stefan Röpke, Köln, Germany

2005

Manufactured Landscapes (includes 24 new China images), Brooklyn Museum of Art, Brooklyn, New York, USA

Manufactured Landscapes, Museum of Photographic Arts, San Diego, California, USA

Photowork, The Torch Gallery, Amsterdam, The Netherlands

Manufactured Landscapes, Iris & B. Gerald Cantor Center for Visual Art, Stanford University, Stanford, California, USA

Entropia, Fundacion Bilbao Bizkaia Kutxa, Bilbao, Spain

Burtynsky — China, Robert Koch Gallery, San Francisco, California

Burtynsky — China, Southeastern Center for Contemporary Art, Winston-Salem, North Carolina (touring exhibition - see above)

Burtynsky — China, Nicholas Metivier Gallery, Toronto, Ontario, Canada

Burtynsky — China, Charles Cowles Gallery, New York, NY

Burtynsky — China, Flowers Gallery, London, UK

2004

Manufactured Landscapes, Art Gallery of Ontario, Toronto, Ontario, Canada

Asian Quarries, Nicholas Metivier Gallery, Toronto, Ontario, Canada

2003

Landmarks, Oakville Galleries, Centennial Square, Oakville, Ontario, Canada

Edward Burtynsky: Mid-Career Retrospective, The National Gallery of Canada, Ottawa, Ontario, Canada
— Finnish Museum of Photography at Cable Factory, Helsinki, Finland
— The Art Gallery of Ontario, Toronto, Ontario, Canada
— The Brooklyn Museum of Art, Brooklyn, New York, NY, USA
— The Museum of Photographic Arts, San Diego, California, USA
— Iris & B. Gerald Cantor Center for Visual Arts, Stanford University, California, USA

Before the Flood Robert Koch Gallery, San Francisco, California, USA (cat)

Before the Flood Mira Godard Gallery, Toronto, Ontario, Canada (cat)

Before the Flood Flowers Gallery, London, UK (cat)

2002

Burtynsky, Kitchener-Waterloo Art Gallery, Kitchener, Ontario, Canada

Burtynsky, The Prairie Art Gallery, Grand Prairie, Alberta, Canada

Burtynsky, Paul Kuhn Gallery, Calgary, Alberta, Canada

Burtynsky, Charles Cowles Gallery, New York, NY, USA

Eight Large Photographs, Mira Godard Gallery, Toronto, Ontario, Canada

Shipbreaking II, Robert Koch Gallery, San Francisco, California, USA

Rajasthan New Work, Flowers Central, London, UK

Rock of Ages: Photographs by Edward Burtynsky, Elgin Community College, Elgin, Illinois USA, (cat)

2001

Shipbreaking, Mira Godard Gallery, Toronto, Ontario, Canada

New Work, Robert Koch Gallery, San Francisco, California, USA

Survey Show, Burlington Art Centre, Burlington, Ontario, Canada

Vues et points de vue: L’architecture de Borromini dans les photographies d’Edward Burtynsky - Canadian Centre for Architecture, Montréal, Québec, Canada

2000

Oil Refineries, Mira Godard Gallery, Toronto, Ontario, Canada

Edward Burtynsky Photographs, McMaster Museum of Art, Hamilton, Ontario, Canada

Vues et points de vue: L’architecture de Borromini dans les photographies d’Edward Burtynsky - Canadian Centre for Architecture, Montréal, Québec, Canada

1999

In the Wake of Progress, Robert Koch Gallery, San Francisco, California, USA

Ed Burtynsky, Robert Klein Gallery, Boston, MA, USA

1998

Urban Mines, Mira Godard Gallery, Toronto, Ontario, Canada

Urban Mines and Tailings, Laurence Miller Gallery, New York, NY, USA

In the Wake of Progress: Quarries, Tailings & Urban Mines, Paul Kuhn Fine Arts, Calgary, Alberta, Canada

1996

Tailings, Mira Godard Gallery, Toronto, Ontario, Canada

1995

Quarries, Laurence Miller Gallery, New York, NY, USA

1994

The Carrara Marble Quarries, Mira Godard Gallery, Toronto, Ontario, Canada (cat)

1993

The Stone Quarries, Mira Godard Gallery, Toronto, Ontario, Canada

1988

Breaking Ground - Produced by the Canadian Museum of Contemporary Photography Exhibition tour: — Art Gallery of Hamilton, Hamilton, Ontario, Canada - 1988
— Toronto Photographers Workshop, Toronto, Ontario, Canada - 1988
— Floating Gallery - Winnipeg, Manitoba, Canada - 1989
— Cedarbrae District Library, Scarborough, Ontario, Canada - 1989
— Whyte Museum of the Canadian Rockies, Banff, Alberta, Canada - 1990
— Bibliotèque municipale de Mont-Joli, Mont-Joli, Québec, Canada - 1990
— Alberta College of Art Gallery, Calgary, Alberta, Canada - 1991
— The Gallery/Stratford, Stratford, Ontario, Canada - 1991
— Galerie d’art de Matane, Matane, Québec, Canada - 1991
— Lacham Gallery, Stouffville, Ontario, Canada - 1992
— Cambridge Public Library and Art Gallery, Cambridge, Ontario, Canada - 1992
— Maltwood Art Museum and Gallery, Victoria, British Columbia, Canada - 1992
— Alberni Valley Museum, Port Alberni, British Columbia, Canada - 1992

1987

Mines and Railcuts, Laurence Miller Gallery, New York, NY, USA
Recent Landscapes, Scaramouche Restaurant, Toronto, Ontario, Canada

1986

Landscapes, Toronto Image Works Gallery, Toronto, Ontario, Canada

1985

Earthworks, Kitchener Waterloo Art Gallery, Kitchener, Ontario, Canada Landscapes, Gallery 252, Hamilton, Ontario, Canada

1984

Earthworks, A Moment in Time Gallery, Toronto, Ontario, Canada

1982

Landscapes & Greenhouses, Ryerson Photographic Arts Gallery, Toronto, Ontario, Canada

Edward Burtynsky Selected Group Exhibitions

2017

Hello Robot, Vitra Design Museum, Weil am Rhein, Germany

Nuit de la Photo (HD Projections), La Chaux-de-Fonds, Switzerland

Auto Photo, Foundation Cartier pour l’Art Contemporain, Paris, France

2016

Watershed: Contemporary Landscape Photography, Jepsen Center, Telfair Museums, Savannah, Georgia

There Was a Whole Collection Made: Photography From Lester and Betty Guttman, Smart Museum of Art, The University of Chicago, Chicago, Illinois

The Conversation Continues: The Collection of James Cottrell and Joseph Lovett, Orlando Museum of Art, Orlando, Florida

The Edge of the Earth: Climate Change in Photography and Video, Ryerson Image Centre, Ryerson University, Toronto, Ontario, Canada

Shared Space: A New Era, Photographs from the Bank of America Collection, McColl Center for Art & Innovation Charlotte, North Carolina

Indestructible Wonder, San Jose Museum of Art, San Jose, California

Water, Durham Art Gallery, Durham, Ontario, Canada

California: The Art of Water, Cantor Arts Centre, Stanford University, Palo Alto, California

Landscapes Reconstructed, Whyte Museum of the Canadian Rockies, Banff, Alberta, Canada

We Are What We Eat, United Nations Visitor's Centre New York, NY,

The Governor General’s Awards in Visual and Media Arts 2016, National Gallery of Canada, Ottawa, Ontario, Canada

The World We Live In: Through The Lens of Contemporary Photography, Ayala Museum, Metro Manila, Philippines

Water.War, Budafabriek, Kortrjik, Belgium

Hydro-Logic, IDEA Space, Colorado Springs, Colorado, USA

Gyre: The Plastic Ocean, San Jose State University Thompson Gallery, San Jose, California, USA

Sublime. The Tremors of the World, Pompidou Centre, Metz, France

The 4 Elements: Water, Museum of Breadculture, Ulm, Germany

2015

Gyre: The Plastic Ocean, David J. Sencer CDC Museum, Atlanta, Georgia, US

Gyre: The Plastic Ocean, University of Southern California Fisher Museum of Art, Los Angeles, California

Hybridity: The New Frontier, 21C Museum Hotel, Louisville, Kentucky, USA

The Force of Ruins, Palazzo Altemps, Rome, Italy

Foto/Industria, Mast Foundation, Bologna, Italy

Seeing the Elephant, Seeing (MassArt), Boston, Massachusetts, USA

Water’s Edge, Panamania, Union Station, Toronto, Canada

Industria, Oggi / Industry Now, MAST, Bologna, Italy

Frontiers Reimagined: Art That Connects Us, Palazzo Grimani, Venice Biennale, Italy

Vita Vitale, Azerbaijan Pavillion, Venice Biennale, Italy

Dawn to Dusk: Unsettled, Unravelled, Unreal, Otis College of Art and Design, Los Angeles, California, USA

Views from the Southbank II: Moments, Reflections, Intervals, Surry Art Gallery, British Columbia, Canada

Arts & Foods: Rituals Since 1851, Triennial di Milano, Milan, Italy

A Terrible Beauty: Edward Burtynsky in Dialogue with Emily Carr, Kelowna Art Gallery, Kelowna, British Columbia, Canada

Transformation of Canadian Landscape Art: Inside and Outside of Being, Today Art Museum, Beijing, China

Edward Burtynsky and David Shapiro, Nicholas Metivier Gallery, Toronto Ontario, Canada

Frontiers Reimagined: Art That Connects Us, Venice Italy, Venice, Italy

2014

Gyre: The Plastic Ocean, Anchorage Museum, Anchorage, Alaska

Shine a Light: Canadian Biennial 2014, National Gallery of Canada, Ottawa, Ontario, Canada

The Marseillaise / fifteen years of collecting, Huis Marseille, Amsterdam, The Netherlands

A Terrible Beauty: Edward Burtynsky in Dialogue with Emily Carr, Kamloops Art Gallery, Kamloops, British Columbia, Canada

Black Diamond Dust, Nanaimo Art Gallery, Nanaimo, British Columbia, Canada

Transformation of Canadian Landscape Art: Inside and Outside of Being, Xi'an Art Museum, Xi'an, Shaanxi, China

Creation and Erasure: Art of the Bingham Canyon Mine, Utah Museum of Fine Arts, Salt Lake City, UT

View from a Window, Art Gallery of Alberta, Canada

The Power of Water, Fotodok, Space for Documentary Photography, Utrecht, The Nederlands

Nets: Weaving Webs in Art, Kunsthalle zu Kiel, Germany

Blue: Matter, Mood, and Melancholy, 21c Museum, Cincinnati, Ohio, USA

2013

Royal Academy Summer Exhibition, London, UK

Collection, Connection and the Making of Meaning, The Gordon Smith Gallery of Canadian Art, North Vancouver, Canada

The Juno Tour of Canadian Art, MacKenzie Art Gallery, Regina, Canada

Landmark: The Fields of Photography, Somerset House, London, UK

Format, International Photography Festival, Derby, UK

Big Pictures, Amon Carter Museum of American Art. Fort Worth, Texas, USA

Made in Alberta, Paul Kuhn Gallery, Calgary Alberta, Canada

Industry, Ostlicht, Galerie für Fotografie, Vienna, Austria

Imaging Disaster, Museum London, London, Ontario, Canada

Climate of Uncertainty, DePaul Art Museum, Chicago, Illinois, USA

Picturing the Sublime, The Phillips Collection, Washington DC, USA

2012

No Strangers: Ancient Wisdom in a Modern World, Annenberg Space for Photography, Los Angeles, USA

Down to Earth: Herblock and Photographers Observe the Environment, Library of Congress, Washington, DC

Acquisitions of New Canadian Art, National Gallery of Canada, Ottawa

America in View: Landscape Photography 1865 to Now, Museum of Art, Rhode Island School of Design, Providence, Rhode Island, USA

Intersections: Science in Contemporary Art, Weizmann Institute of Science, Rehovot, Israel

Newtopia, Van Busleyden Court, Mechelen, Belgium

Freedom Of/For/To, The Haggerty Museum of Art, Milwaukee, Wisconsin, USA

Looking Back at Earth: Contemporary Environmental Photography, The Hood Museum, Hannover, New Hampshire

Portfolio: Artists Work in Series, Faulconer Gallery, Grinnell College, Grinnell, Iowa

Subverted, Ivory Press, Madrid, Spain

2011

Infinite Balance, Museum of Photographic Arts (MoPA), San Diego, California, USA

Songs of the Future: Canadian Industrial Photographs, 1858 to Today, Art Gallery of Ontario, Toronto, Canada

To The Ends of the Earth, Adamson Gallery, Washington, DC

The Ocean Reglitterized, Pelham Art Center, Pelham, New York, NY

LOOK11 – Liverpool International Photography Festival, Liverpool, UK

Royal Academy Summer Exhibition, London, UK

Depiction, Confederation Art Centre, Charlottetown, Prince Edward Island, Canada

The Altered Landscape: Photographs of a Changing Environment, Nevada Museum of Art, Reno, Nevada, USA

The Eye is a Lonely Hunter: Images of Human Kind - Ecological Circuits, Wilhelm Hack-Museum, Ludwigshafen, Germany

Car Fetish. I drive, therefore I am. Museum Tinguely, Basel, Switzerland

Embarrassment of Riches: Picturing Global Wealth, Nerman Museum of Contemporary Art, Overland Park, KS, USA

The Art of Caring: A Look at Life Through Photography, The Art Museum of South Texas, Corpus Christi, TX, USA

The Art of Caring: A Look at Life Through Photography, Museum of Art, Fort Lauderdale, FL, USA

Seeing Now: Photography Since 1960, The Baltimore Museum of Art, Baltimore, MD, USA

The Kasper Collection: Mannerism and Modernism, The Morgan Library and Museum, New York, NY, USA

2010

Weltbilder 4, Helmhaus, Zurich, Switzerland

Embarrassment of Riches: Picturing Global Wealth, Minneapolis Institute of Arts, Minneapolis, MN, USA

Developed and Undeveloped: Photographic Landscapes, de Young Fine Arts Museum, San Francisco, USA

Energy = Labour, Stiftung Brandenburger Tor, Berlin, Germany

In Light: Selections from the Permanent Collection, Museum of Photographic Arts, San Diego, CA, USA

Bearing Witness: works from the collection, Vancouver Art Gallery, Vancouver, British Columbia

In Focus: Photography from the Permanent Collection, Bowdoin College Museum of Art, Brunswick, Maine, USA

Water: National Geographic, Annenberg Space for Photography, Los Angeles, California, USA

The Art of Caring: A Look at Life Through Photography, The Cincinnati Museum Center, Cincinnati, OH, USA

Prix Pictet: Earth, Eindhoven University of Technology, Eindhoven, The Netherlands

The Empty Quarter, Dubai

Thanks for Being With Us: Contemporary Art from the Douglas Nielsen Collection, Tucson Museum of Art, Tucsson, Arizona, USA

2009

Into The Wild, Art Gallery of Nova Scotia, Yarmouth, Nova Scotia, Canada

Uneasy Pieces, Oakville Galleries, Oakville, Ontario, Canada

Vanishing Landscapes/Verschwindende Landschaften, Galerie Nikolaus Ruzicska, Salzburg, Austria

In the Darkroom: Photographic Processes before the Digital Age, National Gallery of Art, Washington, DC, USA

Earth: Art of a Changing World, Royal Academy of Arts, London, UK

Prix Pictet 2009: Earth,

Passage de Retz, Paris, France

Thessaloniki Museum of Photography, Thessaloniki, Greece

Moor House, London, UK

Purdy Hicks Gallery, London, UK

Les Visages de l’industrie, Musée des beaux-arts, Le Locle, Switzerland

Connecting to Collections 2: Destinations, Gallery Lambton, Sarnia, Ontario, Canada

Substantial Resources, Art Gallery of Sudbury, Sudbury, Ontario, Canada

Una fábrica, Una Máqina Un Cuerpo, Museo Universitario de Arte Contemporaneo, Mexico City

Why Work? Rurart, Centre for Contemporary Art, Rouille, France

Nature Nation, Museum on the Seam, Jerusalem, Israel

Una fábrica, Una Máqina Un Cuerpo, Centre de Documentació Panera, Lleida, Spain

Chelsea visits Havana, Museo Nacional de Bellas Artes, Havana, Cuba

The Art of Caring: A Look at Life Through Photography, New Orleans Museum of Art, LA, USA

Damaged Romanticism: A Mirror of Modern Emotion, Grey Art Gallery, New York University, New York, NY, USA

Trouble in Paradise: Examining Discord Between Nature and Society, Tucson Museum of Art, Tucson, Arizona, USA

Evolving Eden, Sheldon Museum of Art, Lincoln, Nebraska, USA

Prix Pictet 2008 Shortlisted Artists Exhibition:
– Thessaloniki Museum of Photography, Thessaloniki
– Royal Geographical Society, London, UK, The Intelligence Squared Green Festival
– Eindhoven University of Technology, Eindhoven

2008

La Grande Image: Histoire de la Photographie Panoramique de 1839 à nos jours, Pavillon Populaire, Montpellier, France

Prix Pictet, Palais de Tokyo, Paris, France

Highlights from the Fotographfis Collection, Bank of Austria Kunstforum, Vienna, Austria

Picture the Process: Landscape through Time and Space, Museum of Photographic Arts, San Diego, CA, USA

Manufactured Landscapes, Bowdoin College Museum of Art, in Brunswick, Maine, USA

Scale Matters: Photographs from the Joseph and Charlotte Lichtenberg Collection, The Phillips Collection, Washington, DC, USA

POV/21: Twenty-First Century Points of View, St. Lawrence University, Canton, New York, NY, USA

Somewhen, Jarach Gallery, Venice, Italy

The Tropics, Martin Gropius Bau, Berlin

Modern Photographs: The Machine, the Body and the City - Gifts from the Charles Cowles Collection, Parrish Art Museum, Southampton, New York, NY

Imaging a Shattering Earth: Contemporary Photography and the Environmental Debate,
— National Gallery of Canada, Ottawa, Ontario, Canada
— Brunnier Art Museum, Iowa State University, Ames, Iowa, USA

Moving Walls, Open Society Institute, Washington, DC, USA

China in Motion, Phase 2, Arup, London, UK

1% - Water and Our Future, Hasselt, Belgium

Twice Removed, two-person exhibit with painter Brent McIntosh, Nicholas Metivier Gallery, Toronto

Sound the Alarm: Landscapes in Distress, Glyndor Gallery, Wave Hill, The Bronx, New York, NY, USA

Shifting Landscapes, Power House Arena, Brooklyn, New York, NY, USA

Eastern Standard: Western Artists in China, Massachusetts Museum of Contemporary Art, USA Ingenuity, Palais des Beaux Arts, Brussels, Belgium

Relics and Ruins, Instituto Oi Futuro, Rio de Janeiro, Brazil & SESC Paulista, Sao Paulo, Brazil.

China Works, Center Koldo Mitxelena, San Sebastian, Spain

International Biennial of Photography and Visual Arts, Liege, Belgium

2007

Utopian Mirage: Social Metaphors in Contemporary Photography and Film, Loeb Art Center, Poughkeepsie, NY, USA

Moving Walls, Open Society Institute, New York, NY, USA

We are All Photographers Now! Musée de l’Elysée, Lausanne, Switzerland

A History of Photography, Victoria and Albert Museum, London, UK

Imaging a Shattering Earth, Dalhousie Art Gallery, Halifax

Enfants De Cartier, Photographie Canadienne Contemporaine, Théâtre de la Photographie et de l’Image, Nice, France

Ingenuity, Gulbekian Foundation, Lisbon, Portugal

2006

C On Cities, Venice Bienalle, Pavillion Padiglione Italia, Giardini della Biennale, Venice, Italy

Modern Photographs: The Machine, the Body and the City - Gifts from the Charles Cowles Collection, Miami Art Museum, Florida, USA

Arthur Ollman Tribute Collection, Museum of Photographic Arts, San Diego, CA, USA

Imaging Asia in Documents, 1st Photo Biennale, Daegu, Korea

The photographic document: Aspects & Transformations, Photography Museum of Thessaloniki, Greece

Made in China, Museum of Contemporary Photography, Chicago, Illinois, USA

Modern Times: Work, Machinery and Automation in the Arts of 1900, Palazzo Ducale, Genoa, Italy

Imaging a Shattering Earth, Museum of Contemporary Canadian Art (MOCCA), Contact Photo Festival, Toronto, Canada

2005

Imaging a Shattering Earth: Contemporary Photography and the Environmental Debate, Oakland University, Rochester, Michigan, USA

Disaster Topographics, Toronto Photographer’s Workshop, Toronto, Ontario, Canada

Subjective Distance, McMaster Museum of Art, Hamilton, Ontario, Canada

Hot Mush and Cold North, The Ottawa Art Gallery, Ottawa, Ontario, Canada

2003

Industry and Entropy, Freedman Gallery, Albright College Center for the Arts, Reading, PA (cat), USA

In Praise of Plenty, Museum of Photographic Arts, San Diego, CA, USA

2002

Altered Landscape: The Carol Franc Buck Collection, Norsk Museum for Fotografi – Preus

Fotomuseum, Horten, Norway & Nevada Museum of Art, Reno, Nevada, USA

New Acquisitions: New Work / New Directions3 / Contemporary Selections, Los Angeles County Museum of Art, Los Angeles, California, USA

Altered States: Landscape Transformation in the Wake of Progress, University Art Gallery, University of California, San Diego, La Jolla, California, USA

Curator’s Forum: Collecting Contemporary Art, Ackland Art Museum, University of North Carolina, Chapel Hill, North Carolina, USA

The Eye of the Beholder: A History of Photography from the LaSalle Bank Photography Collection, Grand Rapids Art Museum, Grand Rapids, Michigan, USA

2001

Detourism, The Renaissance Society, University of Chicago, Chicago, Illinois, USA

Constructed Identities: Edward Burtynsky & Suzy Lake, Burlington Arts’Centre, Burlington,

Ontario, Canada

Site/Seeing, Art Gallery of Ontario, Toronto, Ontario, Canada

1999

Virgin Land, Nassauischer KunstVerein, Weisbaden, Germany

L’Évocation, Marché Bonsecours, Montréal, Québec, Canada

The Sudbury Basin: Industrial Topographies, The Art Gallery of Sudbury, Ontario, Canada

1998

On the Nature of Landscape, Mt. Holyoke College Art Museum, South Hadley, MA

1997

Work, Workers, Works: Rearranging the Land, Dalhousie University, Halifax, Nova Scotia, Canada

The Big Picture, Albright-Knox Gallery, Buffalo, New York, NY, USA

Land Used, Carleton College Art Gallery, Northfield, Minnesota, USA

1996

Before the Land Behind the Camera, Canadian Museum of Contemporary Photography, Ottawa, ON, Canada

1994

Burtynsky/Maynard, Art Gallery of Ontario, Toronto, Ontario, Canada

1993

Embodied Spaces, Le Mois de la Photo, Montreal, Québec, Canada (cat)

1992

Beau: A Reflection on Beauty of Nature in Photography, Canadian Museum of Contemporary

Photography, Ottawa, Ontario, Canada (cat)

1991

Tainted Prospects: Photographers and the Compromised Environment, Co-curated by John

Pfahl and Sandra Olsen, Castellani Art Museum, Lewiston, New York, NY (cat), USA

1990

The Landscape: Eight Canadian Photographers, McMichael Canadian Art Collection, Kleinburg,

Ontario (cat)

Le Mois de la Photo, Curator: Katy McCormick, Concordia University, Montréal, Québec, Canada

1989

Money Matters: A Critical Look at Bank Architecture, Museum of Fine Arts, Houston, Texas, USA

(book) Exhibition tour:

—Museum of Fine Arts, Houston, TX, USA
—National Building Museum, Washington, DC, USA
—Canadian Centre for Architecture, Montréal, Québec, USA
—Vancouver Museum, Vancouver, British Columbia, Canada
—National Gallery of Canada, Ottawa, Ontario, Canada
—Royal Ontario Museum, Toronto, Ontario, Canada

Structure and Landscape in Contemporary Canadian Photography, Art Gallery of Northumberland, Cobourg, Ontario, Canada

What is Photography: 150 Years of Photography, Prague, Czechoslovakia (cat)

1987

Focus ‘87, Art Gallery of Ontario, Toronto, Ontario, Canada

1982

Transitions: The Landscape, Produced and toured by The National Film Board (now CMCP)

Exhibition tour:
—The Photo Gallery, Ottawa, Ontario, Canada
—Winnipeg Art Gallery, Winnipeg, Manitoba, Canada
—The Canadian Centre of Photography, Toronto, Ontario, Canada
—The Photography Gallery, La Jolla, S. California

 

Edward Burtynsky Awards and Honors

2014

Rogers Best Canadian Film Award

Watermark - Best Feature Length Documentary - Canadian Screen Awards

Toronto Film Critics Association, “TFCA Names ‘Watermark’ Best Canadian Film.”

2013

Honorary Degree - Doctor of Arts degree from Middlebury College, Vermont

Honorary Doctoral Degree - University of British Columbia, Canada

2012

Tiffany Mark Award - honors men and women who, through their professional or philanthropic endeavours, make a difference to their community.

2011

National Magazine Awards, Gold Prize: Conceptual Photography, Toronto

MOCCA award, Toronto, Canada

Honorary Degree - Doctor of Laws, Mt. Allison University, Sackville, New Brunswick, Canada

Deutscher Fotobuchpreis - Silver Award, Burtynsky: Oil

2010

Kraszna-Krausz Book Award, UK for Burtynsky: Oil

2009

Prix Pictet, London, UK, Nomination & Short Listed

2008

Planet in Focus Media/Industry Eco-Hero Award

Canadian Environment Awards: Ideas for Life

Prix Pictet, London, UK, Nomination & Short Listed

Deutscher Börse Prize, Nomination, London, UK

Ideas for Life Award, Canadian Environment Awards

Toronto Friends of the Visual Arts, Achievement Award

ICP Infinity Award, Art category, International Center of Photography, New York, NY

Deutscher Fotobuchpreis - for Burtynsky: Quarries

2007

Honorary Degree - Doctor of Laws, Queen’s University, Kingston, Canada

Honorary Degree - Doctor of Fine Arts in Photography Study, Ryerson University, Toronto

Canada Honorary Degree - Doctor of Fine Arts, Montserrat College of Art, Boston

2006

Officer of the Order of Canada

Flying Elephants Foundation Fellowship

2005

TED Prize - (inaugural) Monterrey, California

2004

The Rencontres d’Arles Outreach Award, Arles, France

2003

Roloff Beny Book Award, Toronto

Applied Arts Magazine - Photographic Book Award

Governor General of Canada Delegate – Circumpolar State Visit to Finland and Iceland Royal Canadian Academy of Arts – Academician’s Honours

National Magazine Awards Foundation – Photojournalism Silver Award

Edward Burtynsky Lectures

International Center of Photography, February 19, 2014

McMichael Canadian Collection, Kleinburg, Ontario, Canada August 24, 2013

The Walrus Foundation, Toronto, Ontario, Canada June 4, 2013

Canadian Museum of Nature, Ottawa, Ontario, Canada May 31, 2013

Princeton Environmental Institute, Environmental Humanities in a Changing World Conference, Princeton, New Jersey, USA, March 8 - 9, 2013

Conversations from the Toronto Art World, Canadian Art Foundation, University of Toronto, Ontario, Canada, November 6, 2012

Governor General’s Canadian Leadership Conference, Halifax, Nova Scotia, Canada, June 2, 2012 Calgary’s International Festival of the

Arts: The High Performance Rodeo, Calgary, Alberta, Canada, January 24, 2012

Hood Museum, Dartmouth College, Hanover, New Hampshire, USA, May 11, 2012

Royal College of Art, London, UK, January 2012

DOT (Design Our Tomorrow) Conference, Toronto, Ontario, Canada

Rochester Institute of Technology, Rochester, New York, NY, USA

The Long Now Foundation, San Francisco, California, USA

Massachusetts Museum of Contemporary Art

World Summit on Innovation and Entrepreneurship, Dubai, United Arab Emirates Society for Photographic Education Conference, Denver, Colorado, USA

Princeton University, Princeton, New Jersey, USA

Trudeau Foundation Annual Conference, Calgary, Alberta, Canada

Corcoran Gallery / Museum, Washington, DC, USA

Art Resources in Teaching, Chicago, Illinois, USA

Havergal College, Toronto, Ontario, Canada

Bishop Strachan School, Toronto, Ontario, Canada

Queen’s University, Kingston, Ontario, Canada

Ryerson University, Toronto, Ontario, Canada

Montserrat College, Boston, Massachusetts, USA

Gemeentemuseum Helmond, Netherlands

Technische Universiteit Eindhoven, Netherlands

University of Toronto, Canada

National Geographic Society, Washington

ORACLE conference, Chicago, Illinois, USA

TED Conference, Monterey, California, USA

Parsons Lecture, Parsons New School for Design, New York, NY, USA

Idea City, Toronto, Ontario, Canada

Natural City Symposium, University of Toronto, Toronto, Ontario, Canada International Center of Photography (ICP), New York, NY, USA

Finnish Museum of Photography at Cable Factory, Helsinki, Finland

Library of Congress, Washington, DC, USA

Canadian Centre for Architecture, Montréal, Québec, Canada

National Gallery of Canada, Ottawa, Canada

Kodak Lecture Series, Ryerson Polytechnical University, Toronto, Ontario, Canada

Edward Burtynsky Selected Bibliography

2017

Shaw, Michael. “Edward Burtynsky: Recommended.” Visual Art Source (April).

“Visions of the Anthropocene: Our Planet, Today.” Lensculture, April 17.

Black, Ezrha Jean. “Edward Burtynsky – Industrial Abstract.” Artillery, April 12.

“Photo of the Day.” Photo District News, April 11.

2016

Burtynsky, Edward. “Green Education.” Creative Image, 2016.

Khatchadourian, Raffi. “The Long View: Edward Burtynsky’s quest to photograph a changing planet.”
The New Yorker, December 19 and 26.

Peck, Thomas. “Edward Burtynsky: Water, Agriculture & Abstract Beauty.” On Landscape Magazine, September.

Wallis, Stephen. “Edward Burytnsky and Robert Polidori’s Shared Visions."

Sooke, Alastair. “Edward Burtynsky: the photographer finding art in rivers of toxic waste.” The Telegraph, September 5.

Wainwright, Oliver. “Edward Burtynsky on his ravaged Earth shots: ‘We’ve reached peak everything.’”
The Guardian
, September 15.

Khatchadourian, Raffi. “The Long View: Edward Burtynsky’s quest to photograph a changing planet.”
The New Yorker
, December 19 and 26.

Sooke, Alastair. “Edward Burtynsky: the photographer finding art in rivers of toxic waste.” The Telegraph, September 5.

Wainwright, Oliver. “Edward Burtynsky on his ravaged Earth shots: ‘We’ve reached peak everything.’”
The Guardian
, September 15.

2015

Mooallem, Jon. “Edward Burtynsky’s Mesmerizing Images of Copper Mines.” The New York Times Magazine, October 22.

Pagel, David. “Art Review: Edward Burtynsky at Von Lintel Gallery.” Los Angeles Times, May 16.

Mendelsohn, Meredith. “Striking Photographs of Humankind’s Impact on the Earth.” Architectural Digest Online, April 22.

Calder, Diane. “Edward Burtynsky.” ArtScene, May.

2014

Bierend, Doug. “Eptic Photos Expose Mankind’s Uneasy Relationship With Water.” Wired, April 17.

Henderson, Christine Rose. “Contemporary Ruins: Politics and Aesthetics Beyond the Melancholy Imagination.” 2014. Doctoral Dissertation, York University.

Noellgen, Sabine. “Veränderte Umwelt: Neue Leseweisen im Anthropozän” (Altered Environments: New Readings in the Anthropeocene). 2014. Doctoral Dissertation, University of Washington.

Romer, Amy. “Edward Burtynsky’s photographs are the industrial landscape sublime.” 2014. Essay, Falmouth University.

Whyte, Murray. “Large-Format Vision.” Galleries West, spring, p. 32-35.

2013

Baird, Daniel. “Planet Water: Edward Burtynsky Embarks on a New Film Partnership.” Canadian Art, summer, p. 86 - 93.

Boettger, Suzaan. “Oil on Paper.” The Brooklyn Rail, April 3.

Bossen, Howard, Eric Freedman, and Julie Mianecki. “Hot Metal, Cold Reality: Photographers’ Access to Steel Mills.” Visual Communication Quarterly , Vol. 20, Number 1, pg. 4-19

Burtynsky, Edward. BURTYNSKY - WATER, Göttingen, Germany: Steidl Verlag, September, 228 pages.

Burtynsky, Edward. “Water.” The Walrus, October.

Cookson, Clive. “Liquid of Life.” FT Weekend Magazine, September.

Davidson, Barbara. “ReFramed: Necessity of Life.” Los Angeles Times, December 1.

Everett - Green, Robert. “Sebastião Salgado and Edward Burtynsky: The world according to the photography masters.” The Globe and Mail, May 4.

Fitzpatrick, Blake. “Interview with Edward Burtynsky.” POV Magazine, issue 91.

Franzoni, Christina. “Edward Burtynsky.” ZOOM Photographic Art, winter.

Landau, Emily. “All Wet.” Toronto Life, October.

Pritchett, Jennifer. “Troubled Waters.” Telegraph Journal, December 14.

Schuster, Joshua. “Between Manufacturing and Landscapes: Edward Burtynsky and the Photography of Ecology.” Photography & Culture, Vol. 6, Issue 2, July.

Segovia, Cintia. Alien - Nation. Northridge: California State University, 2013.

Thomson, Jimmy. “Edward Burtynsky: The renowned landscape photographer on his latest project, Water.” Canadian Geographic, October.

2012

Avantario, Vito. “Edward Burtynsky in atemberaubenden Bildern zeigt der Kanadier, wie die Industrialisierung Mensch, Natur und Landschaft deformiert.” Greenpeace Magazin.

Chow, Jason. “Edward Burtynsky’s Timely Photo Series on Water.” Wall Street Journal, November 1.

Curcio, Seth. “The Big Picture: An interview with Edward Burtynsky.” Beautiful Decay, July 4.

East, Ben. “The dark side of black gold.” The National, June 5.

Gil, Iker. “Manufactured Landscapes.” Mas Context, winter.

Pappas, Steven M. “BARRE - Edward Burtynsky has a thing for Vermont quarries.” Times Argus, July.

Shaughnessy, Jonathan. “Builders.” National Gallery of Canada, p. 66-67.

Yan, Zhou. “Displaced Cultural Landscape and Manufactured Landscapes: The Three Gorges project in Art.” Yishu Journal of Contemporary Chinese Art.

2011

Angel, Sara. “Refined Crude.” Eye Weekly, Toronto, April 14-21, p. 18-19.

Clark, David. “Icons of Photography, Edward Burtynsky 1955-present.” Amateur Photographer, London, February 5, p. 37-38.

Enright, Robert. “The Fine and Excruciating Construction of the World.” Border Crossings, March, p.22-37.

Godard, Peter. “Labour of Love.” The Toronto Star, Toronto, February 3, p. E1, E7.

Hodgson, Francis. “Seductive Obsolescence.” Financial Times Weekend, London, p. L, A8.

Keats, Jonathon. “The Grim and Beautiful Vision of Edward Burtynsky.” Men’s Journal, New York, NY, April, p. 78-83.

Roth, Paul. “Edward Burtynsky: Oil.” Contact: Figure + Ground, May, p. 54-61.

Rydell, Malena. “Mr. Dump Master.” Fotografiska, Stockholm, Sweden, p. 16-19.

Singer, Peter, Bernardo Kliksberg, and Kristin Shrader-Frechette. Values and Ethics for the 21st Century. BBVA, 2011.

Viau, Par Rene. “Une Beaute Contaminée.” Vie des Arts, winter, #221, p. 48.

Vigano, Enrica. “Edward Burtynsky: L’uomo e la terra.” Luci e ombre, Centro Culturale di Milano, Italy, (cat.).

2010

Abadjian, Laurent. “Un Monde de Brut.” Telerama, Paris, France, July, p.27.

Axsom, Richard H. (ed). “100 Years 100 Works of Art.” Grand Rapids Art Museum, Michigan, p. 200-201.

Ballamingie, Patricia. “Edward Burtynsky’s China photographs: A multidisciplinary reading.” Environments: a journal of interdisciplinary studies, Waterloo, #37, p. 67-92.

Boetzkes, Amanda. “Waste and the Sublime Landscape.” RACAR, p. 22-31.

Burtynsky, Edward. Pentimento, Burtynsky Studio, September, hardcover/softcover/folio editions.

“Edward Burtynsky: Beaute Coupable.” Azart Photographie, Paris, France, p.76-83.

Grande, John K. “Oil & Water.” CV86, Montreal (September, 2010), #86, p. 96-98.

Hodgson, Francis. “Edward Burtynsky: Oil.” Portfolio (May, 2010), p. 22-33.

Jacob, Didier. “La Maree Noire vue de Ciel.” Le Nouvel Observateur, July 8, p. 98- 100.

McCusker, Carol. “An Uneasy Contradiction: Surveying the career of Edward Burtynsky.” Color, July, p. 36-51.

Milroy, Sarah. “Edward Burtynsky: Deepwater Blues.” Canadian Art, Toronto, Canada, fall, pp. 110-117.

Soberano, Amy. “Production Studio.” Lifestyles Magazine, New York, NY, winter, #230, P. 52-57.

Sozanski, Edward J. “Ravaged landscapes, ugly yet not.” The Philadelphia Enquirer, Philadelphia, July, 28, H4A.

Stockdale, Douglas. “Edward Burtynsky - Oil.” The Photo Book, April 14.

“The Still Photograph: Embedding Images in Our Mind.” Nieman Reports, spring, #64, p. 98-100.

2009

Acosta, Jimena. “The Aesthetics of the Plunder.” Arquine, Mexico summer,#48, p. 44- 47. “Australian Minescapes.”

Galerie Stefan Röpke, Cologne, Germany (cat.).

Burtynsky, Edward. BURTYNSKY - OIL, Göttingen, Germany: Steidl Verlag, October, 216 pages.

Blackwell, Lewis. “Photo Wisdom.” Nelson Education, California, p. 58-63.

Cammaer, Gerda. “Praxis: Film Review - Edward Burtynsky’s Manufactured Landscapes: The Ethics and Aesthetics of Creating Moving Still Images and Stilling Moving Images of Ecological Disasters.” Environmental Communication, March, p. 121-130.

Clark, David. “Photography in 100 Words.” Argentum, London, November, p. 28.

Criteria, Keimeno. “Oil.” Epsilon 968, Greece, November 1, p. 9, 15.

“Edward Burtynsky at Huis Marseille, Amsterdam.” Saatchi-Online TV & Magazine, December 2, 2009.

Foster, Alasdair. “The Spinifex Effect.” FOTOFREO, September 26.

Gilbert, Emily. “Beyond Survival? Wilderness and Canadian National Identity Into the Twenty-First Century.” British Journal of Canadian Studies.

Juniper, Tony. “Enough Hot Air - Here’s Al’s Plan.” The Times, November 7.

Kaldis, P. “Meta Industrial Landscape.” Photo Mag, Greece. February #182, p. 34-35.

Knelman, Martin. “Burtynsky’s Oil Apocalypse.” The Toronto Star, October 21, p. E1, E7. Laviolette, Mary-Beth. “Man Made Space.”

Swerve, Calgary, Canada, February, p. 25.

Patalay, Ajesh. “Blighted and Beautiful.” Telegraph Magazine, London, UK, November 21, p. 34-40.

Remy, Patrick. “Qu’est-Ce-Que La Photographie Aujourd’Hui?” Paris: Beaux Arts, Paris, France, November, p. 84-85.

Risch, Conor. “Edward Burtynsky: Economies of Scale.” PDN, October 30.

Sass, Julie, and Emily Handlin. “Trouble in Paradise.” Tucson Museum of Art, Tucson, p. 56-59.

2008

Barth, Nadine. “Verschwindende Landschaften.” Dumont, Cologne, Germany, Spring.

Baillargeon, Claude. “Affinity and Dialectic in Twice Removed.” Nicholas Metivier Gallery, April.

Burns, Taylor. “Tip-toeing across the Void.” Queens University The Journal, September 30.

Campbell, Craig. “Residual Landscapes and the Everyday.” Space and Culture, Edmonton, Canada (February, 2008), 39-50.

Davies, John. “Edward Burtynsky: The photographer who’s out to save the world from itself.” Art World, p. 126-128.

Feindel, Andrew. “How Successful Canadians Got Started.” KICKSTART, spring, p. 149-154.

“Rock of Ages.” Kaze No Tabibito #35, Tokyo, Japan (December, 2008), p. 25-44.

Forbes, Duncan. “Edward Burtynsky’s Negative Sublime.” Portfolio Magazine, Photography Workshop Ltd., Edinburgh, Scotland
(May, 2008), #47, p. 4, 18, 21.

Grande, John K. “Interview with Edward Burtynsky.” Grand Tour- Perspecta 41, June, p.153-158.

Harding, Stephan. “Intelligent Growth.” Resurgence Magazine, Devon, UK, March/April, #247, p. 12-13.

“Heaven.” LIFE Magazine: CHINA, April, 16-33.

Laurence, Robin. “Edward Burtynsky.” Border Crossings, Winnipeg, Canada, June, #110-2, p. 80.

“Picture Power: The Cost of Progress.” Newsweek, Beijing, China, July, p. 84-87.

Poole, Di. “New Quarries.” Next Level, autumn, p. 70-77.

Van Der Have, Gert - Jan. “Photographic Insight into Awe-inspiring Industry.” Recycling International, May, p. 97.

Williams, Rosalind. “Edward Burtynsky.” Tendencias, Madrid, Spain, p. 58.

2007

A User’s Guide for the 21st Century. New York, NY, USA: Worldchanging, January, 600 pages. “Age of Extraction.” The Walrus, Toronto, Canada, July/August, p. 32-34.

Burtynsky, Edward. BURTYNSKY - QUARRIES. Germany: Steidl, October, 192 pages.

Edgar, Ray. “The Price of Power: How effective is art in politics? Edward Burtynsky’s dilemma.” Monument Magazine, June, 48-52, 90.

“Histoire - Geographie Terminales.” Editions Magnard, Paris, France, June.

Jacobs, Karrie. “Searching For the Future.” Metropolis, Architecture & Design, New York, NY, January, p.42.

Lombino, Mary-Kay. “Utopia Land: Utopian Mirage.” Loeb Art Centre: Vassar College, New York, NY, May.

Marchessault, Janine. “Manufacturing Humanism: Steichen/Burtynsky.” PREFIX PHOTO #15, May, 55-67.

Remy, Patrick. “Qu’est-ce Que La Photographie Aujourd’hui?” Beaux Arts Magazine, May 11.

Shuttleworth,Joanne.“EdwardBurtynsky’sBeleagueredBeauty.” GuelphMercury, sec. B1,B3, January, 26.

Smyth, Diane. “Another Planet: Cover Story.” The British Journal of Photography, August 15, 18-27.

2006

Ahrens, Tina. “La Bella Cicatriz / The Beautiful Scar.” Ojo De Pez, The Fall of Nature, November, p. 14-27.

Allen, Laura, and Mark Smout. “Augmented Landscapes.” Pamphlet Architecture 28, New York, NY, USA: Princeton Architectural Press, March.

Bais, Karolien. “Groen China.” P+: People, Planet, Profit, p. 52-54.

Burtynsky, Edward. “The Rice of China, Edward Burtynsky’s view on China.” Dam 6, 20 countries, April/May, p.22-29.

Cheetham, Mark. “Natural Anxieties.” The Walrus, Toronto, Canada, April, p.83.

C International Photo Magazine . Ivory Press (two editions: English/Chinese and Spanish/Japanese), June, Issue #2.

Coupland, Douglas. “Photography in Canada.” Carte Blanche, Toronto, Canada, April 15, Vol. 1.

Cruz, Pozo. “The Seed of Destruction.” La Fabrica, Madrid, Spain, October.

Diehl, Carol. “The Toxic Sublime.” Art in America, New York, NY, USA, February, p. 118.

Erb, Nadja. “Bilder Einer Maschinenwelt.” Frankfurter Rundschau, July 15, p. 8.
Girardet, Herbert. “Which Way China.” Resurgence #236. Bideford, UK: Hartland, May/June.

Glaseby, Joanne. “Fast Forward: Photographer Edward Burtynsky’s Exquisite, Detailed Work...” Zag, London, UK/ New York, NY, USA, March.

Grande, John K. “Manufactured Landscapes - an interview with Ed Burtynsky.” Etc. Magazine, Montreal, Canadam, fall, #75, p. 18-27.

Hebert, Natasha. “Edward Burtynsky - China.” Galeria Toni Tapies, April 6.

Peters, Brad. “Behind the Lens.” Niagara Magazine, p. 28-33.

Petty, Jules. “Myth of Progress.” Adbusters #67, Vancouver, Canada. (Sep/Oct, Vol. 14, no. 5) p. 70-71.

Ringel, Stephanie. “Die Weltfabrik.” Sie + Er Magazine, Zurich, Switzerland. (January 2, No. 1/06) p. 30-43.

Sexton, Elaine. “Edward Burtynsky: Brooklyn Museum and Charles Cowles.” ARTnews, p. 26.

Scott, Michael. “China Caught On Camera.” Vancouver Sun, sec. B2, October 10.

Slotek, Jim. “The Earth Moves.” Toronto Sun - Sunday Showcase, September, p. 8,9.

Stephenson, Sam. “The Family of Destruction: Edward Burtynsky’s Photographs.” Bard Politik: The Bard Journal of Global Affairs, New York, NY, USA, p. 35-41.

Supervivencia y Bienestar / Survival and Well-being: Burtynsky - China Portfolio. Mexico City: Picnic. (Nov/Dec #13) p. 98-103.

Tousley, Nancy. “Burtynsky in China.” Calgary Herald, February 11, p. F4. Tremblay, Celine. “La Vie En Rose.” Living with Style, p. 158-170.

Viernes: El Periódico de Catalunya . Barcelona, Spain, April.

Vigano, Enrica. “Edward Burtynsky: Dilemas.” Naturaleza: PHE06, p. 78-85, 241.

Weber, Andreas. “Kuenstliche Landschaften: Die Shönheit des Hässlichen – Die Schönheit der Zerstörung.” GEO Magazine, Hamburg, Germany, March, p.100-111.

Whyte, Murray. “New Perspective.” Toronto Star, sec. C1, C4, December 3.

Work . Washington DC, USA: National Geographic Society, September, 352 pages.

Wroblewska, Magdalena. “Edward Burtynsky.” Pozytyw Foto, June, p. 32-48.

Zollner, Manfred. “Reich im Umbruch.” fotoMAGAZIN, Hamburg, Germany. (February 17, Issue #3) p.19-23.

2005

Baker, Kenneth. “As Nature Bleeds, Edward Burtynsky Gets the Big Picture.” San Francisco Chronicle, July 6.

Burtynsky, Edward. BURTYNSKY - CHINA. Göttingen, Germany: Steidl Verlag, October, 180 pages.

Dixon, Guy. “A Warning From the Wastelands.” The Globe and Mail, Toronto, April 7, p. R1-R3.

Entropia . Bilbao, Spain: Fundacion Bilbao Bizkaia Kutxa, October (cat.).

Goddard, Peter. “Terror in Progress.” Toronto Star, October 1, p. H10.

Harris, Jeff. “The Reinvention of China.” MacLean’s, Toronto, February 24, p. 34-37.

Helfand, Glen. “Edward Burtynsky.” Artforum, January, p. 258.

Knight, Christopher. “His Aim is True.” Los Angeles Times, Los Angeles, USA, May 25.

Meyers, William. “An Artist in Awe of His Surroundings.” New York Sun, Arts & Letters, New York, NY, USA, October, p.13.

Milroy, Sarah. “Sublime Burtynsky: Burtynsky’s View of China Rising.” The Globe and Mail, sec. R1, R5, October 15.

O’Keefe, Christina. “The Art of Transformation.” See Magazine, December 8, p.25.

Roderick, Daffyd. “Made in Canada: Frame of Work.” Time (Canadian Edition), Arts & Culture, New York, NY, USA, September 19.

Sansom, Anna. “The Beauty of Progress: Edward Burtynsky’s widescreen Industrial Visions.” Spoon, UK, November, p. 58-65.

Segal, David. “Beauty in the Beast.” The Washington Post, sec. C1, C2, October 31.

2004 Browne, Kevin. “It Isn’t A Snap.” National Post, February 7.

Dault, Gary Michael. “Before the Flood: New works by Edward Burtynsky.” Fotografia.

Hannon, Gerald. “The Eyes of Ed Burtynsky.” Toronto Life, February, p. 81.

Green, Tyler. “Demolition Man.” Blackbook, summer, 80-84. Mulhallen, Karen. “Descant 127.” Canadian Art Council, winter.

Tousignant, Isa. “Edward Burtynsky’s Manufactured Landscapes.” Hour Community, October 14. Waters, Christopher. “Altered Forever.” Spectrum Verve, sec. B1, B3, February 27.

Whyte, Murray. “Adding up the Price that Nature Pays.” The New York Times, January. Whyte, Murray. “Beautiful Mines.” ART News. February, p. 70-74.

2003

Burtynsky, Edward. Before the Flood, Burtynsky Studio, April (cat.)

Curtis, Verna Posever. “In the Wake of Progress: Images Of Industrial Landscapes.” Canadian Embassy in Washington, June 12, 2003.

Dault, Gary Michael. “The Eleventh Hour in Photography.” Canadian Art, spring, cover, p. 56-61.

Darwent, Charles. “Unnatural Beauty.” The Independent, London, UK, May 11, p.23.

Dawson, Jessica. “Unnatural Wonders.” Washington Post, Washington D.C., USA, August 7, p. C5.

Fulford, Robert. “Industrial Light and Magic.” National Post, Toronto, March 11.

Lahey, Anita. “The Intrepid Photographer: In search of Industrial Lyricism.” Vernissage, Ottawa, Canada: National Gallery of Canada, winter p. 20-23.

Milroy, Sarah. “On the Eve of Destruction.” The Globe and Mail, sec. R6, May 31.

Richler, Noah. “This Overheating World: The Evidence of Man.” Granta, London, UK, p. 95-127.

Whyte, Murray. “Mapping the High Cost of Progress.” The Toronto Star, sec. F4, June 8.

Youngs, Christopher. “Industry and Entropy.” Albright College Center for the Arts, March (cat.).

Young, Marnin. “Manufactured Landscapes: The Photography of Edward Burtynsky.” Afterimage, May, p. 8-9.

2002

Callahan, Sean. “Multiple Viewpoints.” Smithsonian Magazine, Washington, USA, April.

Ciardiello, Regina P. “Take a trip to a Ship Graveyard.” Maritime Reporter and Engineering, June 2002.

Fulford, Robert. “Art Around Every Corner.” The National Post, Toronto, Canada, May 9, p. AL3.

Holmes, Stephen. “Acquiring Taste.” Real Art Ways, Hartford, USA, Feb/June, p. 85.

Leffingwell, Edward. “Reviews: Edward Burtynsky at Charles Cowles.” Art In America, Toronto, Canada, June, p.129.

Loke, Margarett. “Art in Review: Edward Burtynsky.” The New York Times, February 22, p. E40.

2001

Baker, Kenneth. “Edward Burtynsky.” ARTnews, New York, NY, USA, May.
Burtynsky, Edward. Residual Landscapes: Studies of Industrial Transfiguration, Toronto, Canada: Lumiere Press.

Donegan, Rosemary. “Awesome Ambiguity.” Prefix Photo, Toronto, Canada, November 30, p. 6-23.
Mayer, Marc. “A Dystopian Sublime: Edward Burtynsky’s Grand Tour.” Vanity Press, Edward Burtynsky (cat.).

Mays, John Bentley. “A Melancholy Beauty: Edward Burtynsky’s Shipbreaking images are revealing in their humanity.” The National Post, Toronto, Canada, April 25.

Richler, Noah. “Residual Landscapes.” Saturday Night Magazine, Toronto, Canada. May 19, p.25-29.

1999

Hanna, Dierdre. “Ed Burtynsky ignites industrial passions.” Now Magazine, Toronto, Canada, Oct/Nov.

Murray, Joan. Canadian Art in the Twentieth Century. Toronto, Canada: Dundurn Press.

1998

Falk, Dan. “Mining Modern Day Industry For Art Gems.” The Globe and Mail, Toronto, Canada, May 5. Long, Andrew. “Landscapes in Flux.” Art & Antiques, New York, NY, USA, December.

1997

Pedersen, Andy. “Disfigured Landscapes.” The Daily News - Matinee, November 1.

1996

Rhodes, Richard. “Tailings.” Canadian Art, Toronto, Canada, p. 52-61.

1994

Burtynsky, Edward. Quarries. Toronto, Canada: Burtynsky Studio (cat.).
Hanna, Deirdre. “Ed Burtynsky’s Quarry Photos Uncover Troubling Splendour.” NOW Magazine, March 31. Hume, Christopher. “Quarries.” The Toronto Star, February 24, sec. E, E2.

1993

Cundiff, Brad. “Ed Burtynsky.” Studio Magazine, November, cover, p. 12-15.

Stacey, Robert. “The Stone Quarries.” Canadian Art, March, 72-73.

1991

Pfahl, John, and Sandra Olsen. Tainted Prospects: Photographs and the Compromised Environment. Niagara, USA: Castellani Art Museum (cat.).

1990

Barbour, David. The Landscape. Kleinburg, Canada: McMichael Art Collection, (cat.).
Harris, David. Money Matters: A Critical Look at Bank Architecture. Montreal, Québec: Canadian Centre for Architecture (cat.)

Wagg, Susan. Money Matters: A Critical Look at Bank Architecture. Whitby, Canada: McGraw-Hill.

1988

Burtynsky, Edward. Breaking Ground. Ottawa, Canada: Canadian Museum of Contemporary Photography (cat.).

Clark, Douglas. “Edward Burtynsky: The Breaking Ground.” Views, Toronto, Canada, July, cover, p. 5, 8.

1984

Langford, Martha. Contemporary Canadian Photography. Hurtig Publishers Ltd., 1984.

 

Edward Burtynsky Media, Special Events / Collaborations

For complete information regarding the release of this award winning films and other media including, television/radio interviews,
and news please visit: www.edwardburtynsky.com

National Holocaust Monument: Fall 2015 - Ottawa, Ontario, Canada
architect Daniel Libeskind, Canadian photographer Edward Burtynsky, landscape architect Claude Cormier and University of Toronto Holocaust scholar Doris Bergen.
http://www.lord.ca/Pages/nhm-project.php

Watermark: Documentary Film - 2013
co-directed by Jennifer Baichwal and Edward Burtynsky

Manufactured Landscapes: Documentary Film - 2006 directed by Jennifer Baichwal

Wrench, Collaborative new music project with Hexnut ensemble of Amsterdam. Tours Europe and North America (tba) until 2013.

Musiques Emergées: New Music concert collaboration with Alex Pauk / Esprit Orchestra, and John Price experimental film and projections, November 18, 2012

OIL book APP Published in collaboration with Melcher Media, New York, NY, May 2012.

 

Edward Burtynsky Selected Public Collections

Albright-Knox Art Gallery, Buffalo, New York, NY, USA
Ackland Art Museum, University of North Carolina, Chapel Hill, NC
Agnes Etherington Art Centre, Queen’s University, Kingston, Ontario, Canada
Art Gallery of Hamilton, Hamilton, Ontario, Canada
Art Gallery of Nova Scotia, Halifax, Nova Scotia, Canada
Art Gallery of Ontario, Toronto, Ontario, Canada
Baltimore Museum of Art, Baltimore, MD, USA
Bibliothèque National, Paris, France
Bowdoin College Museum of Art, Brunswisk, ME
Brooklyn Museum of Art, Brooklyn, NY, USA
Canada Council Art Bank, Ottawa, Ontario, Canada
Canadian Centre for Architecture, Montréal, Québec, Canada
Canadian Museum of Contemporary Photography, Ottawa, Ontario, Canada
CincinNatti Art Museum, Cincinnati, OH, USA
Cornell Fine Arts Museum, Florida, USA
Fondation Arts et Culture, Jouxtens-Mezery, Switzerland
Gallery Stratford, Stratford, Ontario, Canada
George Eastman House, Rochester, NY, USA
Gemeentemuseum Helmonds, The Netherlands
Glenbow Museum, Calgary, Alberta, Canada
Grand Rapids Art Museum, Grand Rapids, MI, USA
Haggerty Museum, Marquette University, Milwaukee, WI, USA
Hall Art Foundation, New York, USA
Iris & B. Gerald Cantor Center for Visual Arts, Stanford University, Stanford, CA, USA
Kaspar Collection, The Morgan Library & Museum, New York, NY, USA
Kitchener-Waterloo Art Gallery, Ontario, Canada
Leonard and Bina Ellen Art Gallery, Montréal, Québec, Canada
Library of Congress, Washington, DC, USA
London Museum, London, Ontario, Canada
Los Angeles County Museum of Art, Los Angeles, CA, USA
Mackenzie Art Gallery, Regina, Saskatchewan, Canada
MacLaren Art Centre, Barrie, Ontario, Canada
MAST Foundation, Bologna, Italy
McMaster University Art Gallery, Hamilton, Ontario, Canada
Mendel Art Gallery, Saskatoon, Saskatchewan, Canada
Milwaukee Art Museum, Milwaukee, WI, USA
Montréal Museum of Fine Arts, Montréal, Québec, Canada
Musée d’art Contemporain de Montréal, Montréal, Québec, Canada
Museum of Contemporary Canadian Art, Toronto, Ontario, Canada
Museum of Fine Arts, Houston, TX, USA
Museum of Photographic Arts, San Diego, CA, USA
Museum of Modern Art, New York, NY, USA
Mount Holyoke College Art Museum, South Hadley, MA, USA
National Archives of Canada, Ottawa, Ontario, Canada
National Gallery of Art, Washington, DC, USA
National Gallery of Canada, Ottawa, Ontario, Canada
Nevada Museum of Art, Reno, NV, USA
Owens Art Gallery, Sackville, New Brunswick, Canada
Palm Springs Art Museum, Palm Springs, CA, USA
Pier 24, San Francisco, USA
Presentation House, Vancouver, British Columbia, Canada
Reina Sofia Museum, Madrid, Spain
Ryerson Polytechnic University/School of Image Arts, Toronto, Ontario, Canada
San Francisco Museum of Modern Art, CA, USA
San José Museum of Art, San José, CA, USA
Scottsdale Museum of Contempoary Art, Linhart Collection, Scottsdale, AZ, USA
Seattle Art Museum, Seattle, WA, USA
Snite Museum of Art, University of Notre Dame, Notre Dame, IN. USA
Solomon R. Guggenheim Museum, New York, NY, USA
Spencer Museum of Art, The University of KS, USA
St Louis Museum of Art, St. Louis, MO, USA
Stedelijk Museum, Amsterdam, Netherlands
Tate Modern, London, UK
Thessaloniki Museum of Art, Thessaloniki, Greece
Tom Thompson Memorial Art Gallery, Owen Sound, Ontario, Canada
Utah Museum of Fine Arts, Salt Lake City, Utah, USA
Vancouver Art Gallery, Vancouver, British Columbia, Canada
Victoria and Albert Museum, London, England, UK
Wadsworth Atheneum, Hartford, CT, USA
Whitney Museum of American Art, New York, NY, USA
Wilson Centre for Photography, London, UK
Winnipeg Art Gallery, Winnipeg, Manitoba, Canada

 

Edward Burtynsky Selected Corporate Collections

Ackerman & Co. Atlanta, Georgia, USA Air Canada, Montréal, Québec, Canada Allied, Torono, Ontario, Canada
Arrow Hedge, Toronto, Ontario, Canada AstraZeneca
Bank of Nova Scotia, Toronto, Ontario, Canada Bennett Jones
Beutal, Goodman, Toronto, Ontario, Canada Blackburn Group, London, Ontario, Canada
Blaney, McMurtry, Stappells, Toronto, Ontario, Canada BMO, Toronto, Ontario, Canada
Boston Red Sox, Boston, Massachusetts, USA
CB Richard, Toronto, Ontario, Canada
Ciba-Geigy Canada Ltd., Toronto, Ontario, Canada CI Funds
Canadian Imperial Bank of Commerce Cafritz Interests, Washington, DC, USA Charles Schwab & Co.
Chase Bank, New York, NY, USA Claridge Incorporated
Delaney Capital
Devon Petroleum, Calgary, Alberta, Canada
Dow Jones, New York, NY, USA
Elton John Foundation, London, UK
Encana Resources, Calgary, Alberta, Canada
Fasken Martineau DuMoulin LLP, Toronto, Ontario, Canada Fidelity Investments
Foreign Affairs Canada
Goldman Sachs
Granite Club, Toronto, Ontario, Canada
Grosvenor Capital Management, Chicago, Illinois, USA Hunt Oil Company, Calgary, Alberta, Canada
INCO, Head Office, Toronto, Ontario, Canada
J.P. Morgan Bank
Kelly Company, New York, NY, USA
Lax, O’Sullivan, Cronk
Lenczner, Slaught, Royce, Smith, Griffen, Toronto, Ontario, Canada Likrilyn Capital, Toronto, Ontario, Canada
London Life, London, Ontario, Canada
LW Capital, Toronto, Ontario, Canada
Microsoft Corporation, Redmond, Washington, USA
Morris, Rose, Ledgett, Toronto, Ontario, Canada
McCarthy, Tetrault
McMillan, Binch
National Bank, Montréal, Québec, Canada
Novell, Incorporated
OMERS, Toronto, Ontario, Canada
ONEX, New York, NY, USA
Ontario Mining Association, Toronto, Ontario, Canada
Ontario Public Service Employees Union, Toronto, Ontario, Canada Ove Arup & Partners International, London, UK
The Parnassus Foundation, New York, NY, USA
Phillip Morris Corporation, New York, NY, USA
Pictet & Cie, Geneva, Switzerland
Power Corporation, Montreal, Québec, Canada
Price Waterhouse
Refco Group, Ltd.
Royal Bank
Schulich School of Business
Sunlife of Canada
Swiss Bank
Swiss Re Life and Health
TD Bank, Toronto, Ontario, Canada
Teleglobe Canada, Montréal, Québec, Canada
Templeton Management
Tory, Tory, Deslauriers & Binnington
TransAlta, Corporation, Calgary, Alberta, Canada
Tremblanc Capitol, New York, NY, USA
Vertical Screen Inc., Warminster, PA, USA
Wood Gundy, Toronto, Ontario, Canada

 

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