Von Lintel Gallery | Los Angeles

Valerie Jaudon

Valerie Jaudon Biography

Valerie Jaudon was born in Greenville, Mississippi, on August 6, 1945. She studied at the Memphis Academy of Art, Memphis, in 1965, as well as at the University of the Americas in Mexico City (1966-67) and at St. Martins School of Art, London (1968-69). She has been the recipient of several grants, including a Distinguished Alumni Award from the Mississippi University for Women, Columbus, (1999), a Merit Award from the American Society of Landscape Architects, Alabama Chapter, (1994), and a Painting Grant from the New York Foundation for the Arts (1992).

Jaudon has exhibited extensively in museums and galleries throughout the United States and Europe. Her work has recently been featured at the Stadel Museum, Frankfurt, Germany (Valerie Jaudon: Paintings and Drawings, 1980-1999), and at the Mississippi Museum of Art, Jackson (Abstraction at Work: Drawings by Valerie Jaudon 1973-1999). She has completed various public art commission, such as Long Division, for the MTA Lexington Avenue Subway, 23rd Street, New York City (1988), Reunion, at the Police Plaza / Municipal Building, New York, NY (1989), and Free Style, at the Equitable Building, New York, (1989).

Jaudon is represented in numerous museum collections, including the Museum of Modern Art, New York, the National Museum of Women in the Arts, Washington D.C., the Hirshhorn Museum and Sculpture Garden, Washington D.C., the Aldrich Museum, Ridgefield, CT, and the Fogg Art Museum, Cambridge, MA. She has been invited to numerous public panels, such at the DIA Center for the Arts, New York, and the The Art Institute of Chicago.

Jaudon lives and works in New York City.

Valerie Jaudon Education

1963-65 Mississippi University for Women, Columbus, MS

1965 Memphis Academy of Art, Memphis, TN

1966-67 University of the Americas, Mexico City, Mexico

1968-69 St. Martins School of Art, London, UK (post-graduate year in painting)

Valerie Jaudon Solo Exhibitions

2016

Valerie Jaudon: Ways and Means, Von Lintel Gallery, Los Angeles, CA

2015

Valerie Jaudon: Alignments, DC Moore Gallery, New York, NY

2014

Valerie Jaudon, DC Moore Gallery, New York, NY

2012

Valerie Jaudon: New Paintings, Von Lintel Gallery, New York, NY

2011

Valerie Jaudon: White, University of Mississippi Museum, MS

2010

Valerie Jaudon: Sight Reading, Von Lintel Gallery, New York, NY

2008

Valerie Jaudon: Paintings, Von Lintel Gallery, New York, NY

2005

Valerie Jaudon: New Paintings, Von Lintel Gallery, New York, NY

2003

Valerie Jaudon: New Works, Von Lintel Gallery, New York, NY

1999

Valerie Jaudon: Measure for Measure, Städel Museum, Frankfurt, Germany

Abstraction at Work: Drawings by Valerie Jaudon, 1973-1999, Fine Arts Gallery, Mississippi Museum of Art;
Jackson Mississippi University for Women, Columbus, MS

Weatherbee House, Greenville Arts Council, Greenville, SC

Tupelo Artist Guild Gallery, Tupelo, MS

Wright Art Center Gallery, Delta State University, Cleveland, OH

University Museum, the University of Mississippi, Oxford, MS

The University of Southern Mississippi Museum of Art, Hattiesburg

1998

Valerie Jaudon: Paintings on Paper, Betsy Senior Gallery, New York, NY

1996

Valerie Jaudon: Representing Difference, Sidney Janis Gallery, New York, NY

Valerie Jaudon, Wright Art Center Gallery, Mississippi Museum of Art, Jackson, Mississippi;
Delta State University, Cleveland, OH

Lauren Rogers Museum of Art, Laurel, MS

Mississippi University for Women, Columbus, MS

Valerie Jaudon: New Paintings, Gallery Camino Real, Boca Raton, FL

1994

Valerie Jaudon: Recent Paintings, The Barbara Scott Gallery, Bay Harbor Islands, FL

1993

Valerie Jaudon: Recent Paintings, Sidney Janis Gallery, New York, NY

1990

Valerie Jaudon, Sidney Janis Gallery, New York, NY

1988

Valerie Jaudon: New Paintings, Sidney Janis Gallery, New York, NY

1986

Valerie Jaudon: New Paintings, Sidney Janis Gallery, New York, NY

1985

Valerie Jaudon: Recent Paintings, Sidney Janis Gallery, New York, NY

Valerie Jaudon, Fay Gold Gallery, Atlanta, GA

Valerie Jaudon: Paintings and Drawings, McIntosh/Drysdale Gallery, Washington, DC

1983

Valerie Jaudon, Sidney Janis Gallery, New York, NY

Valerie Jaudon, Quadrat Museum, Bottrop, Germany

Valerie Jaudon: New Masters, Amerika Haus, Berlin, Germany

Valerie Jaudon: Recent Paintings and Watercolors, Dart Gallery, Chicago, IL

1981

Valerie Jaudon, Corcoran Gallery, Los Angeles, CA

Valerie Jaudon: New Paintings, Holly Solomon Gallery, New York, NY

1980

Valerie Jaudon, Galerie Hans Strelow, Dusseldorf, Germany

1979

Valerie Jaudon: Neue Bilder, Galerie Bischofberger, Zurich, Switzerland

Valerie Jaudon, Holly Solomon Gallery, New York, NY

1978

Valerie Jaudon: Paintings, Holly Solomon Gallery, New York, NY

1977

Valerie Jaudon: Paintings, Holly Solomon Gallery, New York, NY

Valerie Jaudon: Paintings, Pennsylvania Academy of Fine Arts, Philadelphia, PA


Valerie Jaudon Selected Group Exhibitions

2016

Method Order Metric, National Academy Museum, New York, NY

2014

Ambitious, Von Lintel Gallery, Los Angeles, CA

A Graphite Exhibition, DC More Gallery, New York, NY

The Annual 2015: Redefining Tradition, National Academy Museum, New York, NY

Hooray for Hollywood, Pavel Zoubok Gallery, New York, NY

Abstractly Speaking: Painting and Sculpture from the Parrish Permanent Collection, Parrish Museum, Southampton, NY

If Winter comes can Sprting by far behind?, Stux Gallery, New York, NY

2013

Paper Plus One, Von Lintel Gallery, New York, NY

Variations: Stephen Ellis, Arnold Helbling, and Valerie Jaudon, Philip Slein Gallery, St. Louis, MO

2012

Columbia. Abstraction: A Dialogue Between Colombian and International Artists, Beatrice Esguerra Art, Bogata, Colombia

Lufonauten, Curator Anna Sophia Schultz, Ludwig Forum Internationale Kunst, Aachen, Germany

Conceptual Abstraction, Hunter College Times Square Gallery, New York, NY (catalogue)

White: the Anatomy of Color, The National Academy Museum, New York, NY

Matters of Fact, Hessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY

Today's Visual Language: Southern Abstraction, a New Look, Mobile Museum of Art, Mobile, AL

Best of the South, Greg Thompson Gallery, Little Rock, AR

Pattern and Decoration, The National Academy Museum, New York, NY

Women in the Arts, Greg Thompson Gallery, Little Rock, AR

Suspended Disbelief, Von Lintel Gallery, New York, NY

2011

Unfinished Paintings, LACE (Los Angeles Contemporary Exhibitions), Los Angeles, CA

"If you lived here, you'd be home by now," Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY

The Lincoln Center Vera List Art Project Exhibition, New York Design Center, New York, NY

Summer Group Show, Von Lintel Gallery, New York, NY

2010

Pavers, Schroeder, Romero, and Shredder, New York, NY

New Visions: Contemporary Masterworks from the Bank of America Collection, Mint Museum of Art, Charlotte, NC

185th Annual: An Invitational Exhibition of Contemporary American Art, National Academy Museum, New York, NY

On the Wall/Off the Wall: Masterpieces from the Permanent Collection, Mississippi Museum of Art, Jackson, MS

TexasNeither Model nor Muse: Women as Artists, McNay Art Museum, San Antonio, TX

Inspiring Spaces: 25 Years of MTA Arts for Transit, New York Transit Museum, Brooklyn Heights, New York, NY

Summer Group Show, Von Lintel Gallery, New York, NY

Group Exhibition, Greenberg Van Doren Gallery, St. Louis, MO

2008

American Art Since 1945: In a New Light, McNay Art Museum, San Antonio, TX

On Paper: The Lincoln Center/List Collection, UBS Art Gallery, New York, NY

Second Thoughts, Hessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY

Revealed Anew: Selections from the Collection, The Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, NY

2007

Pattern and Decoration: An Ideal Vision in American Art, 1975-1985, Hudson River Museum, Yonkers, NY (catalogue)

Exhibitionism: An Exhibition of Exhibitions of Works from the Marieluise Hessel Collection, Hessel Museum of Art,
Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY

The Mississippi Story, Mississippi Museum of Art, Jackson, MS (catalogue)

Claiming Space: Some American Feminist Originators, American University Art Museum, Washington, DC (catalogue)

Honored Women Artists of Mississippi: A Retrospective, Walter Anderson Museum of Art, Ocean Springs, MS

Berardo Collection, Arte Moderna E Contemporanea, Museu Coleccao Berardo, Lisbon, Portugal

2006

Guild Hall Collects: Gifts in Honor of the 75th Anniversary, Guild Hall Museum, East Hampton, New York, NY

Ten Plus Ten: Revisiting Pattern & Decoration, The University Gallery, University of Florida, Tampa, FL

To Shanghai and Back, The Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York, NY (catalogue)

Along the Way: MTA Arts for Transit, PaceWildenstein, New York, NY

Everything Black and White, Nathan A. Bernstein & Co., New York, NY

2005

New Acquisitions, The McNay Art Museum, San Antonio, TX

City Art: New York's Percent for Art Program, The Center for Architecture, New York, NY

Along the Way: MTA Arts for Transit, UBS Art Gallery, New York, NY

The Downtown Show: The New York Art Scene 1974-1984, Grey Art Gallery and Fales Library, New York University, New York, NY;
The Andy Warhol Museum, Pittsburgh, PA; The Austin Museum of Art, TX (catalogue)

ZC Collections '05, Zone: Chelsea, New York, NY

The Faculty Exhibition, Hunter College Times Square Gallery, New York, NY

2004

Residence of the Ambassador, United States Embassy, Prague, Czech Republic Contemporary American Art 2004-2009 (catalogue)

Small Works by Major Artists, Gallery Camino Real, Boca Raton, FL

Art for a Landmine Free World, PaceWildenstein, New York, NY

2003

The LAPD Project: The Legacy of Pattern and Decoration, Shoshana Wayne Gallery, Santa Monica, CA

Painting in the 80s and 90s: Selected Works from the Maslow Collection, Everhart Museum, Scranton, PA

Selected American Graphic Prints from the Lincoln Center Collection, City Art Museum Ljubljana, Mestna Galerija 1, Ljubljana, Slovenia

2002

Objektin ja arabaskin valissa/Patterns: Between Object and Arabesque, Porin Taidenmuseo, Pori, Finland

Zenroxy, Von Lintel Gallery, New York, NY

Too Much Joy: Re-visiting the Pattern and Decoration Movement, Hessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale-on Hudson, NY

Circles, Cycles and Structures, Kent State University School of Art Gallery, Kent, Ohio

Personal and Political: The Women's Movement, 1969- 1975, Guild Hall Museum, East Hampton, NY (catalogue)

The National Museum of Women in the Arts Mississippi State Committee Honorees, Mississippi Museum of Art, Jackson, MS

From the States, National Museum of Women in the Arts, Washington, DC

Untitled: What's in a Name, Polk Museum of Art, Lakeland, FL

New Acquisitions: The Michael G. Grainger Collection, Tyler Museum of Art, Tyler, TX

2001

Warped: Painting and the Feminine, Angel Row Gallery, Nottingham, UK; Middlesbrough Art Gallery, Middlebrough, UK;
Rugby Art Gallery and Museum, Warwickshire, UK; Inside Space, London, UK

Pattern: Between Object and Arabesque, Kunsthallen Brandts Klaedefabrik, Odense, Denmark

2000

Painting Abstraction, New York Studio School, New York, NY

Five: Kenneth Noland, Valerie Jaudon, Bruno Rousselot, Gwen Hardie, Rachel Howard, Lennon Weinberg Gallery, New York, NY

Pattern: Selections from the Maslow Collection, Everhart Museum, Scranton, PA

1999

Together/Working, The Art Museum, University of New Hampshire, Durham, NH; Emily Lowe Gallery, Hofstra University,
Hempstead, NY; Gallery of Contemporary Art, University of Colorado, Colorado Springs, CO

Calm and Commotion: Abstract Art from the Permanent Collection, Mississippi Museum of Art, Jackson, MS

Contemporary Issues, Enduring Vision: Selected Works by Women Artists from the Maslow Collection, Everhart Museum, Scranton, PA

1998

Unrealities: Abstraction in Contemporary Printmaking, Zimmerli Art Museum, Rutgers University, New Brunswick, NJ

East Hampton Artists: Seen and Scene, Guild Hall Museum, East Hampton, NY

1997

Twenty-Fifth Anniversary Exhibition, Galerie Camino Real, Boca Raton, FL

Drawing International, Galerie Simonne Stern, New Orleans, LA

Women, Women, Women: Artists, Objects, Icons, Greenville County Museum of Art, Greenville, SC (catalogue)

After the Fall: Aspects of Abstract Painting Since 1970, Newhouse Center For Contemporary Art, Snug Harbor Cultural Center,
Staten Island, NY (catalogue)

Artists on Paper, Numark Gallery, Washington, DC

A Reversal of Scale, Turner & Runyon Gallery, Dallas, TX

Geometric Abstraction 1937 – 1997, Snyder Fine Art, New York, NY

Recent Acquisitions: A Selection, Lennon Weinberg Gallery, Mississippi Museum of Art, Jackson, MS

Five Contemporary Masters, Paris Kent Gallery, Kent, CT

Investigations: American Abstraction, Robert McClain & Co, Houston, TX

Preserving the Past, Securing the Future: Donations of Art 1987-1997, National Museum of Women in the Arts, Washington, DC

1996

Four Collectors: Nineteenth and Twentieth Century Drawings and Works on Paper From the Collections of Richard Brown Baker,
Caroline Lerner Goldsmith, Werner Kramarsky and Michael Rubenstein,
The Century Club, New York, NY

Abstraction 1996, Turner, Byrne & Runyon, Dallas, TX

Sign – Language, Polo Gallery, Edgewater, NJ (catalogue)

Faculty Exhibition, Hunter College Art Gallery, New York, NY

Women in Print, Tweed Museum of Art, University of Minnesota, Deluth, MN

1995

Reconstructivism: New Geometric Painting in New York, Space 504, New York, NY

Re-Fab: Painting Abstracted, Fabricated, and Revised, Contemporary Art Museum, University of South Florida, Tampa, FL;
Wolfson Galleries, Miami-Dade Community College, Miami, FL; Robert Hull Fleming Museum, University of Vermont, Burlington, VT

1994

Art in Route, The Museums at Stony Brook, New York, NY (catalogue); Paine Webber Art Gallery, New York, NY

American Abstraction: A New Decade, Southern Alleghenies Museum of Art, Loretto, PA

1993

Rewriting History: The Salon of 1993, Montgomery Glasoe Fine Art, Minneapolis, MN

An American Homage to Matisse, Sidney Janis Gallery, New York, NY

Jours Tranquilles & Clichy, 40 Rue de Rochechouart, Paris, France; Tennisport Arts, Long Island City, NY

New Abstraction, Betsy Senior Gallery, New York, NY

BOMB Magazine Benefit, Fawbush Gallery, New York, NY

MFA Faculty Artists' Exhibition, Hunter College Art Gallery, New York, NY

Italy-America: Abstraction Redefined, The National Gallery of Modern Art of the Republic of San Marino, San Marino, Italy (catalogue)

Studio to Site: Public Art in New York City, Sidney Mishkin Gallery, Baruch College, New York, NY

1992

Shades of Difference: The Feminine in Abstract Painting, Sandra Gering Gallery, New York, NY

American Figuration from the Lilja Collection, Henie-Onstad Art Centre, Hovikodden, Norway (catalogue)

Art Dealers Collect Art, Tel Aviv Museum of Art, Tel Aviv, Israel

1991

Who Framed Modern Art or the Quantitative Life of Roger Rabbit, Sidney Janis Gallery, New York, NY (catalogue)

Poets/Painters Collaborations, Brooke Alexander Editions, New York, NY

Masterworks of Contemporary Sculpture, Painting and Drawing: The 1930s to the 1990s, Bellas Artes, Santa Fe, NM

Geometric Perspectives, Museum of Modern Art Advisory Service, New York, NY

Conceptual Abstraction, Sidney Janis Gallery, New York, NY

1990

Concept-Decoratif, Anti-Formalist Art of the 70s, Nahan Contemporary, New York, NY

White Columns Twentieth Anniversary Benefit Exhibition, White Columns, New York, NY

Grids, Vrej Baghoomian Gallery, New York, NY

1989

Painting: Between Awareness and Desire, Cyrus Gallery, New York, NY

Painting Between Paradigms: Between the Sacred and the Profane, Galerie Rhamel, Cologne, Germany

Making Their Mark: Women Artists Move into the Mainstream 1970-85, Cincinnati Art Museum, Cincinnati, OH; New Orleans Museum of Art, New Orleans, LA; Denver Art Museum, Denver, CO; Pennsylvania Academy of Fine Art, Philadelphia, PA (catalogue)

1988

A Debate on Abstraction, City Gallery, Leubsdorf Art Gallery, Hunter College, New York, NY

Projects and Proposals, Department of Cultural Affairs, New York, NY (catalogue)

1987

New Acquisitions, Dayton Art Institute, Dayton, OH

Art Against AIDS Benefit Exhibition, Phyllis Kind Gallery, New York, NY

Friends of L.T.D ., Paris Kent Gallery, Kent, CT

Hamptons in Winter, Gallery International 52, New York, NY

Generations of Geometry, Whitney Museum of American Art at Equitable Center, New York, NY

Gold, Maloney Gallery, Santa Monica, CA

Inaugural Exhibition 1987, Helander Gallery, Palm Beach, FL

1986

Amerikanskt 80-Tal, Neue Galerie, Sammlung Ludwig, Aachen, Germany

Art from the City University of New York: Approaches to Abstraction, Shanghai Exhibition Center, Shanghai, China (catalogue)

Poetry Project Benefit and Auction, St. Mark's Church, New York, NY

National Women Artists, Lee Gallery, College of Architecture, Clemson University, Clemson, SC

Happy, Happy, Phyllis Kind Gallery, New York, NY

Frederick R. Weisman Art Foundation, American Center, Paris, France

Traveled to Museo Calouste Gulbenkian, Lisbon, Portugal; Musee d'Art et d'Histoire, Fribourg, Switzerland;
Centre National des Artes Plastiques, Paris, France

1985

HomoDecorans, Louisiana Museum, Humlebaeck, Denmark

Geometric Abstractions: Selections from a Decade, 1975 – 1985, Bronx Museum of the Arts, Bronx, New York, NY

Celebration 1977-1985, McIntosh/Drysdale Gallery, Washington, DC

Women Artists Exhibition, The Palladium, New York, NY

This Way /That Way, Thorpe Intermedia Gallery, Sparkill, New York, NY (catalogue)

American Art: American Women, Stamford Museum, Stamford, CT

American Abstract Painting, Margo Leavin Gallery, Los Angeles, CA

50 Artists / 50 States, Fuller Goldeen Gallery, San Francisco, CA

Arabesque: Grand Gestures in Painting, Sculpture and Decorative Arts, Bette Stoller Gallery, New York, NY

The Decorative Continues, Pam Adler Gallery, New York, NY

American Women Artists - Part II: The Recent Generation, Sidney Janis Gallery, New York, NY

Prints / Drawings, Getler/Pall/Saper, New York, NY

Eccentric Images, Margo Leavin Gallery, Los Angeles, CA

1+1=2, Bernice Steinbaum Gallery, New York, NY

Traveled: Boca Raton Museum of Arts, Boca Raton, FL

Abstract Painting Redefined, Louis Meisel Gallery, New York, NY

Traveled: Munson- Williams-Proctor Institute, Utica, New York, NY; Bucknell University, Center Gallery, Lewisburg, PA; The Fine Arts Center, State University of New York at Stony Brook, Stony Brook, NY

1983

The Rothschild Bank of Zurich Collection, La Jolla Museum, La Jolla, CA

(catalogue)

New Image/Pattern and Decoration, Kalamazoo Institute of Arts, Kalamazoo, MI;

Madison Art Center, Madison, WI; University of Chicago, Chicago, IL;

Flint Institute of Arts, Flint, MI; University of Rochester, New York, NY

New Work by Basquiat, Fahlstrom, Jaudon, Mangold, Marisol, Ryman, Segal, Wesselmann, Sidney Janis Gallery, New York, NY

Ornamentalism, Hudson River Museum, Yonkers, NY; University of Texas, Austin, TX

New Decorative Art , Berkshire Museum, Pittsfield, MA

Art Today,Ward Gallery, Rochester, New York, NY

American Art at Ryhav e, American Embassy, Copenhagen, Denmark (catalogue)

On the Leading Edge - Cross Currents in Contemporary Art of the Eighties, The General Electric Corporate Art Collection, Fairfield, CT

An Historical Overview, Holly Solomon Gallery, New York, NY (catalogue)

1982

A Look Back - A Look Forward, Aldrich Museum, Ridgefield, CT

(catalogue)

Gallery Group Show, Holly Solomon Gallery, New York, NY

Aspects of Post-Modernism, Fay Gold Gallery, Atlanta, GA

A Private Vision: Contemporary Art. From the Graham Gund Collection, Museum of Fine Arts, Boston, MA (catalogue)

The Spirit of Orientalism, Neuberger Museum, State University of New York at Purchase, Purchase, NY

1981

Graphics Plus, Herbert F. Johnson Museum, Cornell University, Ithaca, NY; Burchfield Center, State University of New York
College at Buffalo, Buffalo, NY; Rochester Institute of Technology, Rochester, NY

New Directions, Sidney Janis Gallery, New York, NY; Museum of Art, Ft. Lauderdale, FL; Oklahoma Museum of Art,
Oklahoma City, OK; Santa Barbara Museum of Art, Santa Barbara, CA; Grand Rapids Art Museum, Grand Rapids, MI;
Madison Art Center, Madison, WI

The Decorative Image, McIntosh/Drysdale Gallery, Washington, DC

The Pattern Principle, Ohio University, Lancaster, OH; Indiana University Art Gallery, Bloomington, IN

Art for ERA, Zabriskie Gallery, New York, NY

Out of New York, Root Art Center, Hamilton College, Clinton, New York, NY

U.S. Art Now: Aktuella tendenser im amerikansk konst, Nordiska Komaniet, Stockholm, Sweden; Goteborg Konstforening,
Goteborg, Sweden

Aspects of Printmaking in the 70's, State University of New York at Plattsburgh. Myers Fine Art Gallery, Plattsburgh, NY

Aspects of Post Modernism: Decorative and Narrative Art, Squibb Gallery, Princeton, NJ

Pattern Painting, South Hill Park Arts Centre, Bracknell, Berkshire, UK

1980

Dekor, Mannheimer Kunstverein, Mannheim, Germany; Amerika Haus, Berlin, Germany; Museum of Modern Art, Oxford, UK

Pattern Painting/Decoration Art, Galerie Modern Art, Vienna, Austria

Décor, Greenberg Gallery, St. Louis, MO

Les Nouveaux Fauves-Die Neuen Wilden, Neue Galerie, Sammlung-Ludwig, Aachen, Germany

New York Pattern Show, Merwin Gallery, Illinois Wesleyan University, Bloomington, IN

Seven Young Americans, Sidney Janis Gallery, New York, NY

The Morton Newman Family Collection, The National Gallery, Washington, DC; The Art Institute of Chicago, Chicago, IL

Islamic Allusions, The Alternative Museum, New York, NY

Secular-Rituals-Sacred, St. Peters Church, New York, NY

Decoration, San Francisco Art Institute, San Francisco, CA

Prints, Museum of Modern Art, Penthouse Exhibition, New York, NY

Drawings, Leo Castelli Gallery, New York, NY

Black and White, Thomas Segal Gallery, Boston, MA

Aperto 80, Venice Biennale, Venice, Italy

1979

Black and White are Colors: Paintings of the 1950's - 1970's, Lang Art Gallery, Claremont College, Claremont, CA

Pattern Plus, Dayton Art Institute, Dayton, OH

Patterning Painting, Palais des Beaux-Arts, Brussels, Belgium

Small is Beautiful, Freedman Gallery, Albright College, Reading, PA; Bucknell University, Lewisburg, PA

Patterning and Decoration on Paper, Mayor Gallery, London, UK

Pattern, Galerie Liatowitsch, Basel, Switzerland

First Exhibition, Toni Birkhead Gallery, Cincinnati, OH

Summer Group Show, Holly Solomon Gallery, New York, NY

Pattern Painting, The American Center, Paris, France

Patterning and Decoration, Galerie Habermann, Cologne, Germany

Young Americans of the Eighties, Galerie Hans Strelow, Dusseldorf, Germany

Pattern Painting/Decoration Art, Galerie Krinzinger, Innsbruck, Austria

Traveled: Galerie Modern Art, Vienna, Austria

Collection Ludwig, Museum Modernerkunst, Palais Lichtenstein, Vienna, Austria (catalogue)

1978

In the Realm of the Monochromatic, Susan Caldwell Gallery, New York, NY

Traveled: The Renaissance Society, University of Chicago, IL

Amerikanska Bilder, Galerie Leger, Malmo, Sweden

Art for Future Collectors, Holly Solomon Gallery, New York, NY

Pattern on Paper, Gladstone/Villani Gallery, New York, NY

Gold and Silver, Holly Solomon Gallery, New York, NY

Black and White on Paper, Nobe Gallery, New York, NY

Pattern and Decoration, Sewell Art Gallery, Rice University, Houston, TX (catalogue)

Decorative Art: Recent Work, Douglas College Art Gallery, Rutgers University, New Brunswick, NJ

1977

Painting 1975-77, Sarah Lawrence College, Bronxville, New York, NY (catalogue)

Selections 1977, Aldrich Museum of Contemporary Art, Ridgefield, CT (catalogue)

Recent Acquisitions, Hirshhorn Museum & Sculpture Garden, Washington, DC

Pattern Painting at P.S.1, P.S. 1 Contemporary Art Center, Long Island City, NY

Patterning & Decoration, American Foundation for the Arts, Miami, FL

Painting 1975, 1976,1977, Contemporary Arts Center, Cincinnati, OH (catalogue)

Critics Choice 1976-77, Joe and Emily Lowe Art Gallery, Syracuse University, Syracuse, New York, NY

Traveled: Munson Williams-Proctor Institute, Utica, New York, NY

Patterning and Decoration, Galerie Alexandra Monett, Brussels, Belgium

(catalogue)

1976

Summer Group Exhibition, Holly Solomon Gallery, New York, NY

Ten Approaches to the Decorative, Allesandra Gallery, New York, NY

New Work, Albright-Knox Art Gallery, Buffalo, NY

New Painters, New Work, Holly Solomon Gallery, New York, NY

Art Basel 1977: International Art Fair, Switzerland, Holly Solomon Gallery

1975

76 Jefferson Street, Museum of Modern Art, New York, NY

Sonia Delaunay – Valerie Jaudon, Livingston-Learmonth Gallery, New York, NY

American Painting and Sculpture, Curated by Michael Rubenstein, Casa Thomas Jefferson, Brasilia, Brazil

A Change of View, Aldrich Museum of Contemporary Art, Ridgefield, CT (catalogue)

1973

New York Today: Works on Paper, University of Missouri, Gallery 210, St. Louis, MO

1969

Exhibition of Paintings by Senior Overseas Students, St. Martins School of Art, London, UK

Valerie Jaudon Selected Bibliography

2016

Knight, Christopher. “Valerie Jaudon’s paintings: The more you look, the more you’re pulled into her world.” Los Angeles Times, October 10, 2016.

Frankel, David. “Valerie Jaudon: DC Moore,” ARTFORUM, February, 2016.

Laster, Paul. “10 Things to Do in New York’s Art World Before February 19,” New York Observer, February 15, 2016.

2015

Montgomery, Harper. “Valerie Jaudon: Painting as Open Work.” Valerie Jaudon: Alignments. DC Moore Gallery, 2015. (catalogue)

2014

“DC Moore Gallery opens exhibition of paintings from 2007-2013 by artist Valerie Jaudon.” ArtDaily, February 23, 2014

“Valerie Jaudon.” Wall Street International, February 13, 2014.

Smith, Roberta. “A Dealer’s Eye, and Life: ‘Hooray for Hollywood!’ Recalls Holly Solomon’s Eye for Art.”
The New York Times
, January 16, 2014.

Strasnick , Stephanie. “Dealer, Actress, Pop Icon: Homage to Holly Solomon.” Art News. January 7, 2014.

Fiori, Pamela. “Home Is Where the Art Is.” Modern Luxury: Manhattan. December 12, 2014

Pardo, Alejandro.. “Once a Year: The National Academy.” Arte Fuse Magazine. July 6, 2014.

2013

Baran, Jessica. "Variations." River Front Times (May 30, 2013).

Karmel, Pepe. "The Golden Age of Abstraction: Right Now." Artnews (April 2013): 66-73.

Diehl, Carol. "Valerie Jaudon at Von Lintel Gallery." Art in America (March 2013).

Wei, Lilly. "Conceptual Abstraction." Art in America (February 2013).

MacAdam, Barbara A. "Valerie Jaudon at Von Lintel Gallery." ArtNews (January 2013).

2012

Pissarro, Joachim and Pepe Karmel. Conceptual Abstraction. New York: Hunter College Art Galleries, 2012.

Klooz, Donan. Today's Visual Language: Southern 2012 Abstraction A New Look. Mobile: Mobile Museum of Art, 2012.

Cotter, Holland. "Conceptual Abstraction." The New York Times (November 1, 2012).

Green, Tyler. "Friday Exhibition: Conceptual Abstraction at Hunter." Modern Art Notes (November 2, 2012).

2011

Andrews, William Pittman. Valerie Jaudon: White. Oxford, Missippi: University of Mississippi Museum, 2011.

Baldinger, Scott. "Dia-fied: Blinky & Co. at Beacon and Bard." Rural Intelligence, In the Galleries At the Museums (August 6, 2010).

Cheh, Carol. "LACE'S 'Unfinished Paintings' Show Asks the Question: What Makes a Painting Unfinished?" LA WEEKLY (June 22, 2011).

Tuck, Jeff. "The Only place in LA to see Unfinished Paintings and have a critical dialogue about them." Contemporary Art in Los Angeles (June 16, 2011).

McVay, Jeff. "Valerie Jaudon, University Museum, 'White'." Oxford Town, issue 922 (April 14, 2011).

2010

Adams, Laurie Schneider. "New York: McGraw Hill." Art Across Time, vol. II, ed. 4 (2010).

Beall, Dickson. "Greenberg Van Doren is the Rolls Royce of St. Louis Art." West End World (March 17, 2010).

Bennett, Steve. "McNay Devotes Entire Stieren Center to Works by Women Artists." San Antonio Express News (June 27, 2010).

Collischan, Judy. "Made in the USA: Modern/Contemporary Art in America." iUniverse Star (2010).

Huebner, Michael. "BMA Sculpture Garden a "Great Place in America." The Birmingham News (October 13, 2010).

Smith, Gary A. From Art to Landscape: Unleashing Creativity in Garden Design. Portland, Oregon: Timber Press, 2010.

2009

Riley, Charles A. Art at Lincoln Center: The Public Art and List Print and Poster Collection. Hoboken, New Jersey:
John Wiley and Sons, 2009.

Shor, Mira. A Decade of Negative thinking: Essays on Art, Politics and Daily Life. Durham: Duke University Press, 2009.

Warhol-Down, Robyn and Herndl, Diane. Feminisms Redux: an Anthology of Literary Theory and Criticism. New Brunswick,
New Jersey: Rutgers University Press, 2009.

GSA Art in Architecture: Selected Artworks 1997-2008 . U.S. General Services Administration, 2009.

Riley, Charles A. Art at Lincoln Center: The Public Art and List Print and Poster Collection. Hoboken, New Jersey:
John Wiley and Sons, 2009.

Marter, Joan, Ed. The Grove Encyclopedia of American Art. Oxford: Oxford University Press, 2009.

Chilvers, Ian, and John Glaves-Smith. Oxford Dictionary of Modern and Contemporary Art. Oxford: Oxford University Press, 2009.

Arnason, H. Harvard and Mansfield, Elizabeth. History of Modern Art: Painting, Sculpture, Architecture, Photography.
New York: Prentice Hall, 2009.

2008

Anderson-Spivy, Alexandria. "Triumph of the Bid D." Artnet Magazine (January 9, 2008).

Armstrong, Allison. "When Craft Meets Art: Investigations in Beauty." American Arts Quarterly (Summer 2008).

Butler, Sharon L. "Jaudon: Greater Incident and Interest" and "Two coats of paint." (April 24, 2008).

Cotter, Holland. "Scaling a Minimalist Wall with Bright, Shiny Colors." New York Times (January 15, 2008).

Holladay, Wilhelmina Cole, and Philip Kopper. A Museum of Their Own: National Museum of Women in the Arts.
New York: Abbeville Press, 2008.

Muchnic, Suzanne. "Max Palevsky's Passion for Arts and Crafts." L.A. Times (December 14, 2008).

Nadelman, Cynthia. "Pattern and Decoration." ArtNews (April 2008).

Wei, Lilly. "Valerie Jaudon at Von Lintel." Art in America (October, 2008).

Withers, Josephine. "Claiming Space: Some American Feminist Originators." College Art (March 19, 2008).

2007

Adamson, Glenn. Thinking Through Craft. London: Victoria and Albert Museum and Berg Publishers, 2007.

Balducci, Thelma. "The Elephant in the Room: Pattern and Decoration, Feminism, Aesthetics, and Politics."
Pattern and Decoration: An Ideal Vision in American Art, 1975-1985. Yonkers: Hudson River Museum, 2007.

Berman, Avis. Oral History Interview with Valerie Jaudon, 2009 Oct. 8-Dec. 22. Washington, DC: Smithsonian Archives
of American Art, 2007.

Black, Patti Carr. The Mississippi Story. Jackson: Mississippi Museum of Art, 2007.

Bradley, Will and Esche, Charles. Art and Social Change. London: Tate Publishing, 2007.

Broude, Norma, and Garrard, Mary D. Claiming Space: Some American Feminist Originators. Washington, DC:
American University Museum, 2007.

Dawson, Jessica. "AU Museum Gives Women's Art the 'Space' It Deserves." The Washington Post (November 18, 2007).

Dietsch, Deborah K. "Pious Protest." The Washington Times (November 10, 2007).

Genocchio, Benjamin. "A Decade of Patterns and Promise." The New York Times (December 2, 2007).

Genocchio, Benjamin. "Ready Set, Art." The New York Times (September 2, 2007).

Gouviea, Georgette. "Finding Patterns at the Hudson River Museum." The Journal News (December 7, 2007).

Grooms,Tom. "Garden as Painting." Design Excellence and the Arts: GSA Office of the Chief Architect (Fall 2007).

Haber, John. "Art and the Feminist Revolution" www.haberarts.com (April 12, 2007).

Morgan, Ann Lee. The Oxford Dictionary of American Art and Artists. New York: Oxford University Press, 2007.

Perreault, John. "Deluxe Redux: Legacies of the Pattern and Decoration Movement." Pattern and Decoration: An Ideal Vision in American Art, 1975-1985. Yonkers: Hudson River Museum, 2007.

Pollak, Ellen. "NMWA Committees around the World." Women in the Arts: National Museum of Women in the Arts Magazine,
vol. 25, no.1 (2007).

Schuman Stoler, Ben. "Art of Confrontation at the Katzen." DCist (November, 2007).

Selz, Peter Howard and Landsman, Susan. Art of Engagement: Visual Politics in California and Beyond. Berkeley:
University of California Press, 2007.

Sider, Sandra, Ed. Cohen, David. "Pattern and Decoration: An Ideal Vision in Contemporary Art, 1975-1985."
www.artcritical.com (December 2007).

Svasek, Maruska. Anthropology, Art and Cultural Production. London: Pluto Press, 2007.

Swartz, Anne. Pattern and Decoration: An Ideal Vision in American Art, 1975-1985. Yonkers: Hudson River Museum, 2007.

Withers, Josephine. "Claiming Space: Some American Feminist Originators." College Art Association (2007)

2006

Dantzic, Cynthia Maris. 100 New York Painters. Atglen, Pennsylvania: Shiffer Publishing, 2007

Gerber, Courtney. "Valerie Jaudon." Grove Art Online, Oxford University Press (2007).

Perreault, John. "Marden One and Marden Two." Artopia: John Perreault's Art Diary (November 16, 2006).

Rubenstein, Raphael. "When Bad Was Good." Art in America (June/July 2006).

2005

Heiferman, Marvin, ed. City Art: New York's Percent for Art Program. London and New York: Merrell Publishers, 2005.

Jaudon, Valerie. "In Her Own Words." Women in the Arts: National Museum of Women in the Arts Magazine (December 2005).

Landes, Jennifer. "Opinion: Acrobatic Colors, Palpable Paint: Valerie Jaudon's Paintings Defy Expectations."
The East Hampton Star
(April 22, 2005).

Mac Adam, Alfred. "Valerie Jaudon at Von Lintel." Artnews (October).

Wei, Lilly. "Valerie Jaudon at Von Lintel." Art in America (October 2005).

2004

Bonetti, David. "New Garden Opens at Eagleton Courthouse." St. Louis Post- Dispatch (November 21, 2004).

Heisler, Eric. "Group Honors Those Who Beautify Downtown." St. Louis Post-Dispatch (November 12, 2004).

Hunter, Sam and John M. Jacobus. Modern Art. New York: Prentice Hall, 2004.

Miles, Christopher. "Tracking Patterns: Report from Santa Monica II. Art in America (February 2004).

Robinson, Walter. "Artnet Magazine Review." Artnet.com (September 19, 2004).

Sansegundo, Sheridan. "Valerie Jaudon: Art Built on Architecture." The East Hampton Star (November 18, 2004).

2003

Amy, Michael. "Valerie Jaudon at Von Lintel." Art in America (July 2003).

Johnson, Ken. "Valerie Jaudon – Art in Review." The New York Times (April 18, 2003).

Lovelace, Carrie. "Art and Politics I: Feminism at 40." Art in America (May 2003).

Ollman, Leah. "Seeing the Pattern." The Los Angeles Times (September 21, 2003).

Pagel, David. "Report from Santa Monica I." Art in America (November 2003).

2002

Adams, Laurie Schneider. Art Across Time. New York: McGraw Hill, 2002.

Barilleaux, Rene Paul. "Valerie Jaudon's Ace in the Hole." Washington, DC: National Museum of Women in the Arts, 2002.

Kivirinta, Marja-Terttu. "Arabeskeja ruudukoiden lomassa." Helsingin Sanomat (September 2002).

Ojanen, Soila. "STT Kuviotaide toi Poriin hehkuvaa variloistoa amulehti." Big. (January 2002).

Pendergast, Sara and Tom Pendergast. Contemporary Artists A-K. Detroit, Michigan: St. James Press, 2002.

Shinn, Dorothy. "Repeated Forms in Kent State Show." Ohio: Kent State University School of Art Gallery, 2002.

Taylor, Simon. Personal and Political: The Women's Movement, 1969-1975. East Hampton, New York: Guild Hall Museum, 2002.

Weinreich, Regina. "Personal and Political." The East Hampton Star (August 25, 2002).

Colpitt, Frances. "Systems of Opinion: Abstract Painting since 1959." Abstract Art in the late Twentieth Century.
London: Cambridge University Press, 2002.

2001

"Ornamentet i ord." INFORMATION (November 2, 2001).

"Tidens Fokus da Monstre." FEMINA (October 2001).

Anning, Vicky. "Warp Factor Seven." Nottingham Evening Post (January 19, 2001).

Burkard, Lene. "A Conversation with Valerie Jaudon, Joyce Kozloff, and Robert Kushner." Pattern: Between Object and Arabesque. Odense, Denmark: Kunsthallen Brandts Klaedefabrik, 2001.

Bonde, Lisbeth. "Monster-vaerdigt." INFORMATION, Finland (October 3, 2001).

Clark, Robert. " Warped, Nottingham." The Guardian (February 3-9, 2001).

Dalgaard, Bente. "Kunstnere tor ikke flyve fra USA." Morgenposten Fyns Stiftstidende (2001).

Falconer, Morgan. "Exhibition: Warped: Painting and the Feminine." Arts Review (March 2001).

Fletcher, Brendan. "Warped: Painting and the Feminine." Contemporary Visual Arts, issue 34 (May/June, 2001).

Gubb, Mark S. "Warped: Painting and the Feminine." AN Magazine (April 2001).

Knippel, Lars. "Ole Afbud fra Trampedach." Morgenavisen Jyllands-Posten (September 20, 2001).

Robinson, Hilary, ed. Feminism-Art-Theory: An Anthology 1968-2000. Oxford, England: Blackwell Publishers, 2001.

Wivel, Henrik. "Pamonstring." Weekend Avisen Berlingske (October 5, 2001).

2000

"Five, Kenneth Noland, Valerie Jaudon, Bruno Rousselot, Gwen Hardie & Rachel Howard."
Abstract Art online
(September 29, 2000).

"Five: Lennon Weinberg Gallery." artreviews (September 2000).

Adams, Laurie S. A History of Western Art. Madison, Wisconsin: Brown & Benchmark, 2000.

Daniel, Kristen. "University Museums Show Greenville Native's Work." The Daily Mississippian (February 4, 2000).

Heller, Nancy G. Women Artists: Works from the National Museum of Women in the Arts. New York: Rizzoli, 2000.

Hunter, Sam, John Jacobus, and Daniel Wheeler. Modern Art: Painting, Sculpture, Architecture.
New York: Prentice Hall and Harry N. Abrams, 2000.

Morgan, Robert C. "Painting Abstraction." Review Magazine. (March 2000).

Munro, Eleanor, C. Originals: American Women Artists. Cambridge, Massachusetts : DaCapo Press, 2000.

Nadelman, Cynthia. "Five." Art News (November 2000).

Schiller, Wendy. Thinking through the Arts. New York: Taylor and Francis, 2000.

Steven Vincent. "Whatever Happened To...?" Art News (November 2000).

1999

Buck, Ernst. "Spielraum fur strenge Formen: Valerie Jaudons Bodenmosaik im Foyer des Frankfurter Stadel-Museums."
Offenbach-Post
(November 26, 1999).

Hillstrom, Laurie and Hillstrom, Kevin. Contemporary Women Artists. Detroit, Michigan: St. James Press, 1999.

Koplos, Janet. "The Age of Inter, A Weaving the World." Contemporary Art of Linear Construction. Yokohana, Japan: Yokohama Museum of Art (1999).

Mattick, Paul. "On Some Drawings by Valerie Jaudon." Abstraction at Work, Drawings by Valerie Jaudon, 1973-1999.
Oxford, Mississippi: Mississippi Museum of Art (1999).

Sansegundo, Sheridan. "Longtime Mecca for Visual Artists." The East Hampton Star (December 30, 1999).

Schwabsky, Barry. "Hidden Harmonies, Together/Working." The Art Museum, University of New Hampshire (1999).

Siegel, Jeanne. Painting After Pollock: Structures of Influence. Canada: G&B Arts International, 1999.

Young, Stephen Flinn. "Understanding Valerie Jaudon's Evolving Art." Independent Quarterly of the Visual Arts (Spring 1999);
The Southern Quarterly, University of Southern Mississippi (Spring 1999).

"Licht auf das Bodenmosaik: Das Stadel zeigt die Kunst der Amerikanerin Valerie Jaudon." Sonntagszeitung (November 7, 1999).

"Mab fur Mab: Das Bodenmosaik der New Yorker Kunstlerin Valerie Jaudon." Frankfurter Allgemeine (November 15, 1999).

"MUW Grad to Present Drawings at School." The Clarion Ledger (March 20, 1999).

"Ornamentale Strukturen: Bodenmosaik schmuckt Eingangshalle des Stadels." Hattauee Anzeigee (November 15, 1999).

"Valerie Jaudons Fubbodenmosaik im Stadel." Frankfurter Rundschau (November 16, 1999).

"Drawings by Valerie Jaudon." Delta Democrat Times (May 30, 1999).

"One of America's Significant Abstract Painters Returns To Her Native Greenville." Life In the Delta, vol. 3, no. 3. (June 1999).

1998 Arnason, H. H., Marla F. Prather, and Daniel Wheeler. History of Modern Art: Painting Sculpture, Architecture, Photography.
New Jersey: Prentice Hall, 1998.

Cone, Michele C. "Can Painting be Saved?" Art Journal (Spring 1998).

Morgan, Robert. The End of the Art World. New York: School of Visual Arts, 1998.

Schwabsky, Barry. "Pattern and Decoration, Abstract and Otherwise." The New York Times (May 3, 1998).

Schwabsky, Barry. "Clothing as Architecture & Two Perspectives on Painting." New York Times (May 24, 1998).

Zimmer, William. "In Abstraction, Welcome Room for Discovery." New York Times (September 13, 1998).

1997

Atkins, Robert. Artspeak: A Guide to Contemporary Ideas, Movements, and Buzzwords, 1945 to the Present.
New York: Abbeville Press, 1997.

Gaxe, Delia. Dictionary of Women Artists. Chicago: Fitzroy Dearborn Publishers, 1997.

Linn, Charles. "Cesar Pelli's New Passenger Terminal at National Airport in Washington, DC, Eases the Life of the World-Weary Traveler." Architectural Record (October 1997).

Miles, Malcolm. Art Space and the City: Public Art and Urban Fixtures. New York: Routledge, 1997.

Morgan, Robert C. "The Symbolic Surface in Abstract Painting." After the Fall: Abstract Art Since 1990.
New York: Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, 1997.

Newman, David. Abstract Matters: Recapitulation and Transcendence. Dallas: Brookhaven College for the Arts, Forum Gallery, 1997.

Ostrow, Saul. "More Parts to the Whole: Revised and Reformed." After the Fall: Abstract Art Since 1990.
New York: Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, 1997.

Protzman, Ferdinand. "Artwork Reflects Vibrancy, Diversity of a Nation." The Washington Post (July 16, 1997).

Schmertz, Mildred. "Mitchel/Giurgola Architects." Master Architects Series II (1997): 124.

Wei, Lilly. "Thirteen Frames for an Exhibition." After the Fall: Abstract Art Since 1990. New York: Newhouse Center for
Contemporary Art, Snug Harbor Cultural Center, 1997.

Young, Stephen Flinn. "Contemporary Art Even in Mississippi?" Independent Quarterly of the Visual Arts (Summer 1997).

"Airport Art for DC" Art in America (September 1997): front page.

1996

Barilleaux, Rene Paul. "Interview with Valerie Jaudon." Valerie Jaudon. Jackson: Mississippi Museum of Art, 1996.

Black, Patti Carr. Art in Mississippi: 1720-1980. Oxford: University Press of Mississippi, 1996.

Chave, Anna. "Disorderly Order: The Art of Valerie Jaudon." Valerie Jaudon. Jackson: Mississippi Museum of Art, 1996.

Cotter, Holland. "Darts and Fusillades From the Sewing Basket." The New York Times (June 28, 1996).

Floyd, Nell Luter. "Art, Artists Home Again." The Clarion Ledger (May 29, 1996).

Gasaway, Libby. "Mississippi Artist Displays at MMA." The Vicksburg Post (July 14, 1996).

Heller, Nancy & Jules Heller. North American Women Artists of the Twentieth Century. New York: Garland Publishers, 1996.

Karmel, Pepe. "Art in Review: Valerie Jaudon." The New York Times (March 15, 1996).

Lovelace, Carey. "Mistakes into Masterpieces." Art News (January 1996).

Marger, Mary Anne. "Evolving Art." Times (December 1, 1996).

Moos, David. Painting in the Age of Artificial Intelligence. Minneapolis: Academy Group and the University of Minnesota, 1996.

Necol, Jane. Annotated Listing of Permanent Public and Architectural Projects. Valerie Jaudon.
Jackson: Mississippi Museum of Art, 1996.

Ostrow, Saul. "Valerie Jaudon: Representing Difference." Valerie Jaudon. New York: Sidney Janis Gallery, 1996.

Robinson, Walter. "Complaining About Abstraction." Artnet.com (Summer 1996).

Sack, Warren. "Painting Theory Machines." Art and Design (June 1996).

Sandler, Irving. Art of the Postmodern Era: From the Late 60s to the Early 1990s. Boulder, Colorado: Westview Press, 1996.

Schwabsky, Barry. "Degrees of Symmetry." Art in America (October 1996).

Stiles, Kristine and Selz, Peter. Theories and Documents of Contemporary Art, Berkeley: University of California Press, 1996.

Upshaw, Reagan. "Valerie Jaudon at Sidney Janis." Art in America (September, 1996).

Zimmer, William. "Artists and Their Students at Work." The New York Times (July 21, 1996).

"Valerie Jaudon, Art." The New Yorker (March 18, 1996).

1995

Danto, Arthur C. Repicturing Abstraction. Richmond: Anderson Gallery at Virginia Commonwealth University, 1995.

Giuliri, Ariella. "Passaggio a Oriente." Tema Celeste (March 1995).

Melrod, George. "Post-Pop Pizzazz." Art & Antiques (November 1995).

Krumholtz, Linda and Estella Lauter. Annotated Bibliography of Feminist Aesthetics in the Literary, Performing and Visual Arts 1970-1990. College Park: University of Maryland, 1995.

Le Thorel-Daviot, Pascale. Petit Dictionnaire des Artistes Contemporains, France: Bordas, 1995

Ostrow, Saul. "More Parts to the Whole: Abstract Painting After Modernism." Artpress (November 1995).

Taylor, Brandon. Painting and Politics: 1976-90. Avant Garde and After, Rethinking Art Now. New York: Harry N. Abrams, 1995.

Taylor, Brandon. Contemporary Art Since 1970. New Jersey: Pearson Prentice Hall, 1995.

1994

Adams, Laurie Schneider. A History of Western Art. New York: Brown and Benchmark, 1994.

Broude, Norma & Mary Garrard. The Power of Feminist Art. New York: Harry N. Abrams, 1994.

Karlins, N.F. "Pictures from the Underground." Chelsea Clinton News (July 28,1994).

Morris, Philip. "Grand Opening." Southern Accents. (September-October 1994).

Pozzi, Lucio. "Anche la griglia della metropolitana puo essere fatta ad arte, se si e privi di Giornale Dell'arte." N. 119, Turin,
Italy (February 1994).

Reynolds, Donald M. The Architecture of New York City: Histories and Views of Important Structures, Sites and Symbols.
New York: J. Wiley, 1994.

Umbanhowar, Elizabeth. "Limelight." Echo Imprint (Spring 1994).

Yazigi, Monique P. "Playing in the Neighborhood." The New York Times (July 10, 1994).

1993

Fox, Catherine. "Renaissance in Birmingham." The Atlanta Journal (October 1993).

Huntoon, Siri. "Valerie Jaudon." ArtNews (May 1993).

Johnson, Ken. "Valerie Jaudon." Art in America (May 1993).

Kaimann, Frederick. "A Building Transformed." The Birmingham News (September 26, 1993).

Kemp, Kathy. "Museum to Open Soon." Birmingham Post-Herald (August 27, 1993).

Kemp, Kathy. "It's Really Fantastic." Birmingham Post Herald (October 1, 1993).

Machaver, Clare. "Art Review." The Clinton Chronicle (January 22, 1993).

Olson, Barbara & Eric. "Art's New Face." Birmingham Post-Herald (October 1993).

Paparoni, Demetrio. "The Self-Regulation of the System: Valerie Jaudon." Italy America Abstraction Redefined.
San Marino: The National Gallery of Modern Art of the Republic of San Marino,1993.

Welish, Marjorie. "Valerie Jaudon." Tema Celeste (Winter 1993).

1992

"The Question of Gender in Art, 42 Artists Respond: Does Gender Make a Difference in Contemporary Art?"
Tema Celeste
(Fall 1992).

Carrier, David. "Afterlight: Exhibiting Abstract Painting in the Era of Its Belatedness." Arts Magazine (March 1992).

Jaudon, Valerie. "Figuring Abstraction." Tema Celeste (January-March 1992).

Kaneda, Shirley. "Valerie Jaudon." Bomb (Winter 1992).

Murphy, Mary. "Consciousness in the Abstract, A New Look at Abstract Painting." The New Art Examiner (June 1992).

Paparoni, Demetrio. "Debate Requires the Acceptance of Dissent." Tema Celeste (April/May 1992).

Paparoni, Demetrio. "Valerie Jaudon." Tema Celeste (Summer 1992).

Webster, Sally and Senie, Harriet. Critical Issues in Public Art: Content, Context, and Controversy. New York: Harper Collins, 1992.

Welish, Marjorie. "Abstraction, Advocacy of." Tema Celeste (January-March 1992).

1991

Antonelli, Paola. "Public Art E Manhattan." Domus (January 1991).

Faust, Gretchen. "New York in Review: Valerie Jaudon." Arts Magazine (November 1991).

Hoffman, Katherine. Explorations: The Visual Arts Since 1945. New York: Harper Collins, 1991.

Kaneda, Shirley. "Painting and Its Others: In the Realm of the Feminine." Arts Magazine (Summer 1991).

Larson, Kay. "Art." New York Magazine (December 2, 1991).

Wheeler, Daniel. Art Since Mid Century: 1945 to the Present. New York: Vendome Press, 1991.

1990

"Art in the Subways." The New York Observer (September 3, 1990).

"Letter from America." MIZUE (Summer 1990).

"Percent-for-Art Projects in Manhattan." The New York Observer (October 1990).

Chadwick, Whitney. Women, Art and Society. New York: Thames and Hudson, 1990.

Frank, Peter. "Reconstructivist Painting, Neomodern Abstraction in the US." Artspace (April 1990).

Frank, Peter. "Rekonstruktivismus-Neomoderne Abstraktion in den Vereinigten Staaten." Kunstforum International (January 1990).

Kontova, Helena & Politi, Giancarlo. Flash Art: Two Decades of History XXI Years. Cambridge, Massachusetts: MIT Press, 1990.

Kuspit, Donald. "Valerie Jaudon." Art Video News Service (April 1990).

Levine, Joan. "A Granite Reunion in a Municipal Maze." Stoneworld (April 1990).

Mahoney, Robert. "Valerie Jaudon." Flash Art (Summer 1990).

Malone, Maggie. "Public Art and Galleries." New York Woman (May 1990).

Morgan, Robert. Concept-Decoratif, Anti-Formalist Art of the 70's. New York: Nahan Contemporary, 1990.

Slivka, Rose. "From the Studio." East Hampton Star (April 5, 1990).

1989

Alexander, Max. "Art in the Underground." Art in America (December 1990).

Calnek, Anthony. "New York." Contemporanea (October 1989).

Cobb, James. "The South's South: The Enigma of Creativity in the Mississippi Delta." The Southern Review (Summer 1989).

Currimbhoy, Nayana. "Offbeat and Upbeat." Interiors (October 1989).

Ferrer, Mathilde. Groupes, Mouvements, Tendances de l'Art Contemporain Depuis 1945.
Paris: Ecole nationale superieure des Beaux-Arts, 1989.

Feuer, Wendy and Arlene Raven. "Public Art from a Public Sector Perspective."

Art in the Public Interest . New York: DaCapo Press, 1989.

Levine, Joan Sequine. "Tile Mural." Tile World (Summer 1989).

Malone, Maggie. "The Great Outdoors." Newsweek (October 23, 1989).

Manhattan Municipal Building, 1914-1989 . New York: Department of General Services, 1989.

Miles, Malcolm. "Speakeasy." New Art Examiner (Summer 1989).

Naylor, Colin. Artists: Third Edition. London: St. James Press, 1989.

Rosen, Randy. Women Artists Move Into the Mainstream 1970-1985. New York: Abbeville Press, 1989.

Sansegundo, Sheridan. "At the Galleries." East Hampton Star (December 14, 1989)

Stein, Judith and Ann Wooster. "Making Their Mark." Making Their Mark: Women Artists Move Into the Mainstream 1970-1985.
New York: Abbeville Press, 1989.

Stephens, Suzanne. "Currents." The New York Times (June 15, 1989).

Tompkins, Calvin. "Righting the Balance." Making Their Mark: Women Artists Move Into The Mainstream 1970-1985.
New York: Abbeville Press, 1989.

1988

Block, Valerie. "Art Commission Honors 11 Projects." New York Observer (May 16, 1989)

Dixon, Jenny. "Public Domain." American Craft Magazine (June/July 1989).

Janis, Carroll. "Introduction, Valerie Jaudon." Sidney Janis Gallery (1989).

Seggerman, Helen L. "Sidney Janis Gallery." Tableau Fine Arts (April 1989).

Slivka, Rose. "Movement on a Grid." East Hampton Star (April 14, 1989).

Tompkins, Calvin. Post to Neo: The Art World of the 80s. New York: Henry Holt, 1989.

1987

Brach, Paul. "Valerie Jaudon's Artists Talk." East Hampton Star (August 13, 1987).

Cameron, Dan. "Post Feminism." Flash Art (February/March, 1987).

Diehl, Carol. "Double or Nothing." Art and Antiques (February 1987).

Lovenheim, Barbara. "The Lively Arts: showing Hamptons Art in Winter." The New York Times (March 1, 1987).

Sarje, Kimmo. "Abstraction and Reflection: Recent Geometric Painting." Generations of Geometry.
New York: Whitney Museum of American Art,1987.

Slivka, Rose. "From the Studio." East Hampton Star (March 12, 1987).

1986

Arnason, H.H. "The Pluralistic Seventies: From the New Illusionism to Pattern, Decoration, and New Image Art."
History of Modern Art: Painting, Sculpture, Architecture, and Photography.
New York: Harry N. Abrams, 1987.

Larson, Kay. "Sidney Janis Review." New York Magazine (December 1987).

Ratcliff, Carter. Abstract Painting and the Idea of Modernity, Abstract Painting

Redefined. New York: Fine Arts Center, Stonybrook, 1987.

Robins, Corinne. The Pluralist Era. New York: Harper and Row, 1987.

1985

Gill, Susan. "Reviews." ArtNews (September 1985).

Glueck, Grace. "Art: Abstract Painters Regain Old Charisma." The New York Times (March 8, 1985)

Hertz, Richard. Theories of Contemporary Art. Inglewood, New Jersey: Prentice Hall, 1985.

Hughes, Robert. "Art: Careerism and Hype Against the Image Haze." Time (June 1985).

Lipson, Karin. "Big Abstracts from a Varied Lot." New York Newsday (December 27, 1985).

Raynor, Vivian. "Reviews." The New York Times (April 26, 1985).

Raynor, Vivien. "Two Shows." The New York Times (November 10, 1985).

Sandback, Amy Baker. Looking Critically: 21 Years of Art Forum Magazine. Ann Arbor, Michigan: UMI Research Press, 1985.

Welzenbach, Michael. "Galleries." The Washington Times (December 12, 1985).

Westfall, Stephen. "Reviews." Arts (December 1985).

1983

Armstrong, Richard. "New York Reviews: Valerie Jaudon." Artforum (September 1983).

"Geometrische Formen." Ruhr-Nachrichten, Bottroper Volkszeitung (February 5, 1983).

Glueck, Grace. "Reviews: Valerie Jaudon." The New York Times (April 22, 1983).

Glueck, Grace. "Gallery View: Sculptors on Paper and a Gallery on the Move." The New York Times (September 25, 1983).

Hunter, Sam. New Image/Pattern & Decoration from the Morton G. Neumann Family Collection. Kalamazoo, Michigan:
Kalamazoo Institute of Arts, 1983.

Hunter, Sam. Valerie Jaudon. Berling: Quadrat Museum,

and Amerika Haus, 1983

Hunter, Sam. "Introduction." Valerie Jaudon. New York: Sidney Janis Gallery, 1983.

Jaudon, Valerie. "Limited Immunity." New Observations (June 1983).

Keyes, Donald D. "Review: Ornamentalism: The New Decorativeness in Architecture and Design." Art Journal, vol. 44. no. 2
(Summer 1983).

Larson, Kay. "Freezing Expressionism." New York Magazine (April 25,

1983).
Levin, Kim. "Voice Centerfold." The Village Voice (April 20-26, 1983).

Loskill, Hans-Jorg. "Flache und Ornament." Westdeutsche Allgemeine (February 16, 1983).

Lugo, Mark. "Valerie Jaudon, Recent Paintings." The San Diego Tribune (April 1983).

Achille, Oliva. "Bonito." Trans Avant-Garde International (1983).

"Moderne Kunst wirkt International." Ruhr-Nachrichten, Bottroper Volkszeitung (February 7, 1983).

"Neue Meister aus den USA." Volksblatt Berlin (September 28, 1983).

Perreault, John. "Allusive Depths: Valerie Jaudon." Art in America (October 1983).

Raynor, Vivian. "The Revival of Ornamentalism." The New York Times (April 3, 1983).

"Refined Plaiting for the Tricentennial at Amerika Haus." Die Morgenpost (October 20, 1983).

Schmidt, Konrad. "Ausstellung in Bottrop: Gemalde wie Teppiche-Plastiken, wie Schriftzeichen."
Ruhr-Nachrichten, Bottroper Volkszeitung
(February 16, 1983).

Traulsen, Jane. "Jensen's Ornamentalism: The Flip Side of High Tech." The Reporter Dispatch (May 1983).

Westfall, Stephen. "Review." Arts Magazine (September 1983).

Wulffen, Thomas. "The Decorative Juncture: New Masters at the Amerika Haus Berlin." Der Tagesspiegel (October 5, 1983).

1982

Broude, Norma and Mary D. Garrard. Feminism and Art History: Questioning the Litany. New York: Harper and Row, 1982.

Brody, Jaqueline. "Reviews." Print Collector's Newsletter (May 1982).

Carboni, Massimo. Valerie Jaudon. Contemporary Artists: Second Edition (Ed. Naylor, Colin) London: St. James Press, 1982.

Cummings, Paul. Valerie Jaudon. Dictionary of Contemporary American Artists: Fourth Edition. New York: St. Martins Press, 1982.

Glenn, Constance W. "The Collectors: Stage for Contemporary Art." Architectural Digest (December 1982).

Gund, Graham and Carl Belz. A Private Vision: Contemporary Art from the Graham Gund Collection.
Boston: Museum of Fine Arts, 1982.

Hunter, Sam. "Post-Modern Painting." Portfolio (January/February 1982).

Jensen, Robert and Conway, Patricia. "Ornamentalism: The New Decorativeness In Architecture and Design."
Architecture and Design
(1982).

Phillips, Deborah C. "New Editions." ArtNews (September 1982).

Rubinstein, Charlotte Streifer. American Women Artists: From Early Indian Times to Now. New York: Avon Books, 1982.

Stuart, Reginald. "The Return of Famous Natives to Greenville, Miss." The New York Times (May 4, 1982).

Tompkins, Calvin. "The Art World." The New Yorker (August 9, 1982).

1981

Bright, Martin. Pattern Painting: Introduction. Berkshire, England: South Hill Park Arts Center, Bracknell, 1981.

Filler, Martin. "Good Golly Miss Holly." House and Garden (March 1981).

Gaugh, Harry. "Pattern Painting and New Image Art." New Directions. New York: Sidney Janis Gallery, 1981.

Hunter, Sam. "Aspects of Post-Modernism: Decorative and Narrative Art." New Directions. New York: Sidney Janis Gallery, 1981.

Glueck, Grace. "Reviews." The New York Times (May 1, 1981).

Hall, Jaqueline. "Visual Pleasure." Columbus Ohio Dispatch (September 1981).

Levin, Kim. "Art." The Village Voice (April 29, 1981).

Lewis, JoAnn. "Return to Splendor." The Washington Post (March 14, 1891).

Mallison, Constance. "Valerie Jaudon at James Corcoran." Images and Issues (Summer 1981).

Meyer, Ruth. The Pattern Principle. Lancaster: Ohio University, 1981.

Morgan, Robert C. "Abstract Painting: The New Pictorialism." New Directions. New York: Sidney Janis Gallery, 1981.

Perreault, John. "Mideast Pipeline." The SoHo News (January 14, 1981).

Phillips, Deborah C. "Review." ArtNews (November 1981).

Wilson, Judith. "Immigrating Ideas." The Village Voice (April 22, 1981).

Wilson, Williams. "The Galleries: La Cienega Area." The Los Angeles Times (January 14, 1981): Part IV, 2.

1980

Alinovi, Francesca. "Quel che piace a me, Dedicato Alloway Post-Moderno." Flash Art (Summer 1980).

Albright, Thomas. "No Matter What It's Called It's Decorative." Datebook (October 21, 1980).

Atkins, Robert. "Decorative Inclinations." Bay Guardian (October 1980).

Auffermann, Verena. "Diebstahl ohne Reu." Rhein-Neckar-Zeitung (January 19/20, 1980)

Bourdon, David. "Art." Vogue (November 1980).

Brody, Jaqueline. "Prints." Print Collectors Newsletter (July / August 1980).

Carboni, Massimo. "Decorazioni: Lettura in Margine." Segno (November/December 1980).

Carmean, E.A. American Abstraction and Decorative Painting: The Morton Neumann Family Collection.
Washington, DC: The National Gallery, 1980.

Frank, Peter. "What's Happening in Contemporary Art." Diversion (April 1980).

Giessler, Ursula. "Amerikas Muster-Maler." Saarbrucker Zeitung (February 4, 1980).

Glueck, Grace. "Redefining the Whole Relationship Between Art and Society." ArtNews (October 1980).

Glueck, Grace. "Women Artists." ArtNews (October 1980).

Godfrey, Tony. "Dekor: The Marriage of Squalor and Reason." Art Monthly (April 1980).

Goslig, Nigel. "Pop Goes Decoration." The Observer (May 4, 1980).

Haley, Michael. "Pattern Painting: New Art for a New Decade." Sky (July 1980).

Hartmann, Horst. "Pattern Art in Mannheimer Kunstverein." Darmstadter Echo (January 19, 1980).

Hegewisch, Katharina. "Hermann Hesse Geist der Duft der Raucherstaebchen." Frankfurter Allegemeine Zeitung (February 4, 1980).

Herchenroder, Christian. "Aus den Galarien." Handelsblatt (March 29, 1980).

Herchenroder, Christian. "Aus Den Galerien." Amtliche Bekanntmachungen (January 15, 1980).

Januszczak, Waldemar. "The Dilligent Search for Spontaneous Bad Taste." Arts Guardian (May 6, 1980).

Karden, Janet. "One Hundred Selected Sites. Urban encounters: Art, Architecture, Audience."
Institute of Contemporary Art, University of Pennsylvania (1980): 50.

Kingsley, April. "Introduction: Islamic Allusions." New York: The Alternative Museum, 1980.

Kramer-Badoni, Rudolph. "Kein Adel fur den Kitsch." Die Welt (January 1980).

Kramer, Hilton. "Art: Seven Young Americans." The New York Times (April 18, 1980).

Kunz, Martin. "The Development of Physical Action Into A Psychic Intensity of the Picture." Flash Art (June 1980).

Kupper, Anne. "Die Neuen Wilden." Baukultur Kunst (April 1980).

Larson, Kay. "Space Walk." The Village Voice (April 28, 1980).

Larson, Kay. "For the First Time Women Are Leading..." ArtNews (October 1980).

Loercher, Diana. "When Is It Art? When Is It Crafts?" Christian Science Monitor

(March 13, 1980).

Marx, Heike. "Kunst in der Nahe von Kitsch." Die Rheinpfalz (January 16, 1980).

Radice, Barbara. "Superfici, equipotenziale, piacevoli, dipinte." Moda (September 1980).

Rice, Nancy. "Pattern and Decoration." The New Art Examiner (March 1980).

Rickey, Carrie and Kay Larson. "In Critical Condition: A Double Take on Clement Greenberg." The Village Voice (April 21, 1980).

Rickey, Carrie. Decor and Ornamentation an Introduction. Germany: Dekor Mannheimer Kunstverein Mannheim, 1980.

Schwarze, Dirk. "Die Wilden und die Dekorativen." Rheinische Post (February 2, 1980).

Schwarze, Dirk. "Ornament und Farbe." Rheinische Post (April 15, 1980).

Schwarze, Dirk. "Ubefangene Kunst." Rheinische Post (January 5, 1980).

Trini, Tommaso. "Cronaca Dell Arte a New York." Domus (January 1980).

Wotzel, Beitrag. "Dekor." Studio Karksruhe Kulturreport (January 1980).

Wykes-Joyce, Max. "Americans in London." The International Herald Tribune (May 1980).

Yee, Roger. "A New Urban Center for Harrisburg." Architectural Record (December 1980).

1979

Bongard, Dr. William. "Pattern Painting." Archetekture & Wohnen (February 1979).

Bongard, Dr.William. "Sammler der ersten Stunde Machten doppeltes Geld." Welt Kunstmarkt (September 1979).

Bongard, Dr. William. Art Aktuell (1979).

Boudaille, Georges. "Pattern Painting." Connaissance des Arts (September 1979).

Dobson, Rona. "Brussels: Pattern Painting." International Herald Tribune (February 10, 1979).

Frank, Peter. "Where is New York." Art News (November 1979).

Houk, Pamela. "Pattern as Art." Pattern Plus. Dayton, Ohio: Dayton Art Institute, 1979.

Meister, Helga. "Junge Kunst aus den USA." Duesseldorfer Machrichten (December 13, 1979).

Perrault, John. "The New Decorativeness." Portfolio (June/July 1979).

Perrault, John. Patterning Painting. Brussels, Belgium: Palais des Beaux Arts, January 18-February 18, 1979.

Perreault, John. "Pattern-eine Einfuhrung." Du, The Art Magazine (June 1979).

Rickey, Carrie. "Decoration, Ornament, Pattern, and Utility: Four Tendencies in Search of a Movement." Flash Art (June/July 1979).

Rickey, Carrie. "Review." ArtForum (January 1979).

Rickey, Carrie. "Voice Choices." The Village Voice (October 15, 1979).

Rubin, David S. Black and White are Colors, Paintings of the 1950s - 1970s. Claremont: Claremont College, 1979.

Schipper, Merle. "Black and White are Colors." Arts Magazine (June 1979).

Solomon, Holly. "Patterning and Decoration." Metropolitan Magazine (April/May 1979).

Strickler, Madeline and Keller, Dominik. "Atelierbesuche." Du, The Art Magazine (June 1979).

Strohl, Audrey. "Mississippi Born Painter Finds Success with Geometric Art." Memphis Press-Scimitar (1979).

Szeemann, Harald. "Zurueck und hin zur Wuerde des Dekorativen."Du, The Art Magazine (June 1979).

Szeemann, Harald. "Decorative Art Today." Du, The Art Magazine (June 1979).

Yau, John. "Valerie Jaudon at Holly Solomon." Art in America (May 1979).

1978

Anderson, Alexandra. "Voice Choices." The Village Voice (July 10, 1978).

Anderson, Alexandra. "Voice Choices." The Village Voice (October 23, 1978).

Bongard, Dr. William. Art Aktuell (October 1978).

Frank, Peter. "Paint Misbehavin." The Village Voice (October 16, 1978).

Frank, Peter. "Pattern Painting PS1." Art News (February 1978).

Goldin, Amy. "The Body Language of Pictures." ArtForum (March 1978).

Keating, Douglas. " Design for Ceiling Has Her up in the Air...About 35 Feet Up." Philadelphia Inquirer (August 24, 1978).

Moser, Charlotte. "Pattern Show a Top Exhibition of the Season." Houston Chronicle (November 3, 1978).

Olejarz, Harold. "Valerie Jaudon." Arts (December 1978).

Perreault, John. "Season's Greetings." SoHo Weekly News (September 28, 1978).

Rickey, Carrie. "Pattern Painting." Arts Magazine (January 1978).

Senie, Harriet. "Geometric Art Shines." New York Post (November 20, 1978).

Who's Who in American Art. New York: R.R. Bowker Company, Jaques Cattell Press, 1978.

1977

Brown, Ellen. "Painting 75/76/77 at CAC Is A Must To See." Cincinnati Post (August 13, 1977).

Delahoyd, Mary. Painting Decoration. 75/76/77 Painting. Bronxville: Sarah Lawrence College, 1977.

Goldin, Amy. Patterning and Decoration. Miami: Museum of the American Foundation of the Arts, 1977.

Jaudon, Valerie and Joyce Kozloff. "Art Hysterical Notions of Progress and Culture." Heresies #4 (Winter 1977/1978).

Kingsley, April. "Opulent Optimism." The Village Voice (November 28, 1977).

Perreault, John. "Pattern Painting." ArtForum (November 1977).

Perreault, John. "More Patterns." SoHo Weekly News (May 5-11, 1977).

Perrone, Jeff. "Review." ArtForum (September 1977).

Webster, Sally. "Spatial Geometry." Arts Exchange (November/December 1977).

1976

Perrone, Jeff. " Approaching the Decorative." ArtForum (December 1976).

Bourdon, David. "Decorative Is Not A Dirty Word." The Village Voice (October 11, 1976).

1975

Bourdon, David. "The 76 Jefferson Streeters Show Up at MOMA." The Village Voice (September 22, 1975).

Frank, Peter. "New York Reviews." Artnews (Summer 1975).

Valerie Jaudon Grants And Awards

2011

National Academician, National Academy of Design, New York, NY

2010

American Planning Association, Great Places in America "Great Public Spaces

Charles Ireland Memorial Sculpture Garden of the Birmingham Museum, Birmingham, AL

2004

Partnership for Downtown St. Louis, the Better Downtown Award for Filippine Garden, Thomas F. Eagleton Courthouse, St. Louis, MO

2002

Mississippi Committee of the National Museum of Women in the Arts Honored Artist Award, Washington, DC

2002

Appointed to the National Register of Peer Professionals in the Design

Excellence Program of the US General Services Administration

1999

Mississippi University for Women, Columbus, Distinguished Alumna Award, Oxford, MS

1997

Mississippi Institute of Arts and Letters, Art Award

1996

Women's City Club of New York, Civic Spirit Award Honoree, New York, NY

1992

New York Foundation for the Arts, Painting Grant, New York, NY

1994

American Society of Landscape Architects, Alabama Chapter, Merit Award, Charles Ireland Memorial Sculpture Garden of the Birmingham Museum, Birmingham, AL

1992

New York Foundation for the Arts, Painting Grant, New York, NY

1988

National Endowment for the Arts, Visual Artists Fellowship Grant Art, Washington, DC

1988

Commission of the City of New York, Award for Excellence in Design for Police Plaza Art Work, New York, NY

1987

Art Commission of the City of New York, Special Commendation for Police Plaza Art Work, New York, NY

1981

Mississippi Institute of Arts and Letters, Art Award

1980

CAPS Grant for Graphics, New York, NY

Valerie Jaudon Selected Public and Architectural Projects

2004

Thomas F. Eagleton Courthouse, St. Louis, MO

2002

Federal Courthouse, Jacksonville, FL

1999

Stadel Museum, Frankfurt, Germany

1998

Citicorp Building, New York, NY

1995

Washington National Airport, Washington, DC

1993

Birmingham Museum of Art, Birmingham, AL

1992

Laboratory Science Building, Staten Island College, New York, NY

1991

Rudin Building, New York, NY

1989

Atlanta City Hall, Atlanta, GA

Equitable Building, New York, NY

Police Plaza / Municipal Building, New York, NY

Private residence, Malibu, CA

1988

Philadelphia Planned Parenthood Headquarters

MTA Lexington Avenue Subway, New York, NY

1977

Philadelphia INA Building, 17th and Arch Streets

Valerie Jaudon Public Collections

Nasher Museum of Art, Duke University, Durham, North Carolina

Vassar College, The Frances Lehman Loeb Art Center, Poughkeepsie, New York

Albright Knox Art Gallery, Buffalo, NY

Aldrich Museum, Ridgefield, CT

Marieluise Hessel Collection, Center For Curatorial Studies, Bard College, Annandale-on-Hudson, NY

Birmingham Museum of Art, Birmingham, AL

Dayton Art Institute, Dayton, OH

Frederick R. Weisman Art Foundation, Los Angeles, CA

Fogg Art Museum, Cambridge, MA

The Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, NY

Greenville County Museum of Art, Greenville, SC

Guild Hall Museum, East Hampton, NY

Hirshhorn Museum and Sculpture Garden, Washington, DC

Indiana University Art Museum, Bloomington, IN

Indianapolis Museum of Art, Indianapolis, IN

Jane Voorhees Zimmerli Art Museum, Rutgers University, Brunswick, NJ

Louisiana Museum, Humlebaek, Denmark

Ludwig Museum, Budapest, Hungary

Mississippi Museum of Art, Jackson, MS

Museum of Modern Art, New York, NY

Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria

Museu de Arte Moderna, Berardo Collection, Lisbon, Portugal

National Museum of Women in the Arts, Washington, DC

Orlando Museum of Art, Orlando, FL

Polk Museum of Art, Lakeland, FL

Parrish Art Museum, Southampton, NY

Princeton University Art Museum, Princeton, NJ

Sammlung Ludwig Museum, Aachen, Germany

Städel Museum, Frankfurt Germany

Saint Louis Art Museum, St. Louis, MO

Tyler Museum of Art, Tyler, TX

University of Mississippi Museum, Oxford, MS

Whitney Museum of American Art, New York, NY

Yale University Art Gallery, New Haven, CT

 

 

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